Dreaming a New LifeTony Crisp ![]() |
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Forty years ago, during my twenties, I fell in love with a beautiful woman, she was intelligent, from a well placed family, lovely figure, and she wanted to be my partner. But there was a problem. I was married with three children. The result - conflict. I struggled for months to restrain my passion for my new love. My fear, barely recognised at the time, was that if I let go my control my marriage would be smashed by what I would do, and so would my children. So I allowed myself no hand holding, no kissing, and definitely no sex. The stress of restraint was such that travelling to work one day, and thus nearer to my new love, I suddenly found it hard to breathe, and a continuous ache in my chest began its entrance into my life that lasted for years. Medical examination showed there was nothing physically wrong. My doctor told me I had been working too hard and suggested I take a tranquiliser. The thought of surviving emotionally using something that deadened the way I responded to life didn't appeal to me. So I started a quest for healing to deal with the chest pain and the depression that arose in what felt like a loveless life.
The way dreams worked for me wasn't by thinking about them or analysing them. They worked when I used them as a doorway to enter a deeper previously unknown dimension of myself. I have at times likened this to lifting up the floorboards or going into the cellar, and discovering what foundations the house of my personality is built on, and how all the apparatus of life is wired up. Once I learned to enter that place in myself, usually called 'the unconscious', I could begin to see what circuitry had created the depression, and what cross wiring had brought about the psychosomatic chest pain. It took work, but I could gradually restructure myself and correct the circuitry. In that way I saw that the chest pain had arisen because the enormous amount of emotional and sexual energy I had restrained had turned inward. Instead of a positive loving expression of passionate feelings it became personally destructive, like a knife wound. My depression had different causes. It was like a projector putting a distorted picture on a screen. The energy or light of my fundamental core self had blockages or filters put in the way of the light flow. In more direct terms events in my earliest years had led me to block off the full flow of my feelings, desires and anger - the full me. The shadows the blockages caused were what I experienced as depression. As the blockages were removed the depression faded. In this exploration of my inner structure I saw that some things were cross circuited. My ability to love, for instance, had been damaged early in my life, setting up vulnerability in my emotions - my chest. So when the big challenge came regarding love the vulnerability became an open wound. Some things we carry go deep, and this one had level upon level. Because of these powerful life changes, my observation over many years is that dreaming is vital for survival and health. I believe dreams arise from the very core process that gives us life and preserves health. Our core processes are an expression of life itself. They may be largely unconscious, but that doesn't mean they cannot flow into our awareness. As with animals that move, and even experience bodily changes with the seasons without having a conscious mind, or watching the news on TV, I believe we also, at our deepest levels, are linked with changes the earth and heavens move through. The process behind dreams is always trying to get us ready for such changes to help us move with what is happening.
I need to repeat some of that because it is not a popular statement supported by most of the scientific community. Dreams arise from the process that gives you life. They are part and parcel of the action in you that spontaneously makes you breathe faster when you run, or perspire when you are hot. They are an expression of the process that constantly regulates your body and mind in its attempts to keep you functioning.i But mere functioning and survival isn't enough. The process goes beyond rebuilding and clearing out past trauma and pains in order to become healthier. The action of life in us presses to grow, to expand, to thrive and become more than we are at the moment. Beyond that too, dreams are often a helicopter ride surveying our life situation. From that wider perspective we can see possible dead end directions, traffic jams of delay, and ways we can take to meet our needs. Survival is not enough! We need to thrive and move with the times. Dreams hold a mirror for us to look in. In the mirror we see what we have created of the life and love that flows through us. For in dreams we see the beauty or the tragedy, of what we have formed with our gift of life. The mirror of dreams is a way of checking the heights and depths of our being, seeing if all is working well, and in that way we can see how true we have been to what we know within us is our best. In the mirror of my dreams I was shown clearly what I had done to the love that was innate in me, and how I had badly used enormous energies within me. Being able to see those things I could heal the damage I had unwittingly caused myself, or that had resulted from childhood experiences. An easier love became possible, as well as a greater flow of my creative potential. Recently I asked other people to write and tell me how they survived great change or difficulties in their life. Sandra, one of the people who replied, wrote:
What may be the most important fact here is that through her dreams and her efforts to understand them, Sandra was able to see and know what she had previously been blind to. In her case it was the painful and abusive facts of her childhood. Such hidden experiences are the 'circuits' as I called them above, that produce the most awful effects in our waking everyday life. But dreams also open our eyes to creative and extended dimensions of ourselves we might otherwise remain unconscious of.
As an example of this, a man I was working with told me that he had dreamt he was walking with a long-standing friend. They came to a river. The friend crossed the river but the dreamer could not cross and woke very disturbed. He found later that the friend who appeared in the dream had died at the time he had dreamt of the river crossing. The dream not only showed him that deep within himself he knew his friend had died, even though consciously he was unaware of it, but it also told him that the friend, in 'crossing the river' of death, walked on into another form of life. Without the correct awareness of his friend's death, the information about life continuing would not have been so impressive. That is just a tiny instance of how subtle dreams are. As children we have all had dreams, not perhaps the dreams of the night. But the 'dreams' of childhood, whether of the day or the night, are often direct expressions of core potential and wisdom. Such dreams impelled us toward something or away from something. As the years passed, those dreams may have become covered by the debris of experiences, opinions of other people and events. And you know inside yourself what it is like to live in the absence of those dreams, the emptiness left when you have lost that light, that urgent guide toward the future. For they held in them the passions and loves that give meaning and purpose to each day. Those dreams may have been pushed into the night, and to find again that bright guiding light, you can open the door of the night to allow your dreams into your waking. So, is it enough to dream without being aware of what is implied by your dreams? Well, is it enough to love without giving that love to others? Is it enough to create without making that creation real in the world? Is it enough to want a child without bearing it? It takes our own movement toward what is offered from within to bring it fully into being. Our dreams are also an invitation to live in worlds beyond our present imagination, but an invitation that you might neglect. |
Exploring your dreamsDreams are a language, a language that frequently appears foreign. This is because the dream is seldom in words. It expresses itself in images and drama, and really we understand that, otherwise we would not get such a kick from films and theatre. So the first step is to wonder what your dream is expressing in its drama and its action. What is taking place? Is it love, anger, avoidance, building something, or a relationship? Whatever it is put a name to it. The following dream was told me by Lorraine during a phone-in I did on London Broadcasting Company.
If we put words to what is dramatised in Lorraine's dream we can say:
In Lorraine's case, whether the things shown in her dream are happening in reality, the fact is that her dream shows her feeling ignored, chained, and that she is attempting to please. So the next thing for Lorraine to consider is what she wants to do about the situation that will give her maximum satisfaction. This can be explored by imagining herself back in the dream and exploring various alternative outcomes. What this means is that in imagination she needs to alter the dream in any way that satisfies. With your own dream you would need to experiment with it, play with it, until you find a fuller sense of self expression or well being. It is very important to note whether any anger or hostility is in the dream that is not fully expressed; or if there are resistances as you try to alter the dream. If there are emotions not fully expressed, imagine a full expression of the anger or other feelings. Because anger, hostility, or even love is sometimes socially taboo we often restrain it, even in our dreams. In expressing it in your imagination you are not in any way doing anything socially wrong. The aim is to imagine or even act it out physically without in any way doing it to others in the real world. Restrained feelings and desire can damage us internally, and also tend to leak out anyway into the way we relate to others. So it is really healing to acknowledge, express them, and understand their roots. It may be that as this is practised more independence, anger, creativity or love is openly expressed in subsequent dreams. This is healthy, allowing such feelings to be vented and redirected into satisfying ways, and not turned inwards on oneself in a way that damages health. In doing this do not ignore any sense of resistance, pleasure or anxiety. Satisfaction occurs only as we learn to be aware of and integrate resistances and anxieties into what we express. This is a very powerful process, so don't underestimate it. ii If there are resistances to changing the dream, these show there is a difference in what you want, and what you feel unconsciously, or what your core self wishes. If you can, relate to any feelings of resistance as if they are sources or voices of realisation and information. Do not push them aside, but let them unfold to see if you can understand where they are arising from and what their message is. Only then can you move on, having cleared a blockage within you. Being your dreamNo computer, however amazing, can yet do what you do in creating a dream. While you sleep you produce a living being such as a dream character that you can have a conversation with. In creating such a character, complete with background, you draw spontaneously on huge areas of your experience or memories - and of course your immense creativity. Think how much technology and staff it takes to create a film cartoon. Yet you do it each night and perhaps think nothing of it!
One of the easiest ways to access this vast information is to imagine yourself as one of your dream characters or objects. This may sound strange, and something you may not have done before, but it allows you to explore, rather than just think about, the huge and wonderful world of your dreams. It doesn't matter if the character you choose to 'be' is someone known or not, or whether they are young or old. The character needs to be treated as an aspect of your dream, and not as if they were the living person you might know in waking life. The same applies to something like a tree, dog or place. To 'be' the person or thing, you need to sit quietly, close your eyes, take a few moment to relax and be aware of what you are feeling and what body sensations you have. You do this because your body, feelings and thoughts are your computer screen that will respond to or show you what is emerging. They are the monitor on which you will feel, see or know things about your dream. So when you are ready, imagine yourself as the character or thing. Really get into it. Be inside the dream person's body. See what it feels like to be them, that shape, that temperament, having that viewpoint on life. If you don't get this immediately, try going in and out of the body of the person or the object slowly, and note the difference in what you feel and what you sense as them, and then back as you. Once you are in the person or thing describe who or what you are - in the dream remember, not as an outside person or thing - and what you are doing, seeing or feeling in the dream. Do the same if you are an object. This takes practice, and you need to let yourself go a bit to play at it. It doesn't have to be serious, because if you hit important things you cannot help them really grabbing your attention and sticking. To go more deeply into this, as you take on being the person or thing and have finished describing yourself, notice what you are feeling in yourself. Give attention to what changes occur as you watch what is arising in your body, your feelings and imagination. This is a bit like watching a blank television screen, waiting for something to show. Watch until something relevant or promising starts to arise then observe it as it grows. After that, see how it explains you more fully, or helps you make clearer decisions about what you are dealing with. |
I am talking to myself and getting great answers!An example of this is given in the following description of David exploring a dream in which he sees an elderly couple in a flying summer house, rather like a big kite.
He had on a rather faded T-shirt with a design on it. So I asked him what he thought it would mean if he dreamt about his T-shirt. He said he didn't think it would mean anything. The next question I asked was where did he get the T-shirt and what memories were attached to it. He became very quiet and serious and wouldn't really talk about it other than saying he got it in Los Angeles and a lot happened to him there. And whatever it was he wouldn't tell me was what his T-shirt would have been commenting on in the supposed dream. We have feelings, thoughts, memories or passions attached to every single thing we encounter, every object, every person, every place, and every creature, real or imagined. Even if it is boredom or disinterest it is still an association, a feeling, like a word in a dictionary, that your dreams might need to use at some time to express something. Most of the time, as with the web designer, we are unaware of what associations and emotions we have attached to the things around us and that appear in our dreams. We can sometimes generalise about such dream objects as a fork used to dig - thus there are valid dream dictionaries - but very often the associations are uniquely ours. That is why the technique of 'being' the person or thing is given. It helps to uncover those hidden associations and feelings.
To unveil this underbelly of the dream is to open a door into a vast world. If you enter that world by allowing emotional and physical responses to what is discovered; if you let all that touch and work in you, you will be greatly enlarged. You will grow beyond who you were. So let the unveiling begin. It will unfold insights and talents that enable you to more confidently meet what changes life and the future bring. In fact it may well make you one of the architects of those changes. Bon voyage. Below is a summary of the many different aspects of self and functions dreams can express:
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