Posts Tagged ‘grand creator’

The Magical Dream Machine

We all dream every night, so we each have what could be called a Magical Dream Machine.

To gain a feeling of this, imagine yourself entering one of those game machine areas where youngsters can ride a motorbike, or ski down a slope. But instead of a simulation of a car, you discover a large machine that you can climb into and become completely enclosed. When you close the door, contacts link onto your body and head in the complete darkness. It is quiet as all the external sounds disappear, and you relax your hold on your body and senses. Your whole experience of yourself shifts as the external world melts away, along with your awareness of your body. That is sleep.

But now – in the darkness a light glimmers. Gradually it takes shape. The shape of a person is suggested. In the time that follows he or she evolves form, moves, and you have full sensory experience. You are totally involved, with all your emotions and sexual responses. Changes occur and you love, fight, fear, murder or bring to life again the person, who can become an animal, a devil, God or a bodiless voice lost in a sombre countryside. Your experiences are totally real, and you move through heaven and hell, despair and joy, darkness and light. Scenes from your past can be revisited – or totally new experiences can be felt so clearly, you are enriched. That is a dream.

 Seeing Is Not Believing

If you had been in such a machine, and on coming out of the total involvement of these moving experiences, you were told you had created it all yourself – that on the black screen you had, out of your fears, habits, secret longings and passion; out of your immense store of memories; with your unbelievable range of feelings and creativity – you had given form to urges and processes in your body and made this rich world of experience, what would you feel? Would you disclaim responsibility? Would you consider it meaningless? Would you realise what amazing creativity and potential you have?

In your dreams you create such a world and such experiences. But perhaps you have not taken time to consider the wonder of your creative process in dreams. Every night you create a new drama. You conjure out of your own being the people, the creatures, the surroundings of your dream. Then you give life to what you create – not only life but purpose and drama. You are a supreme dramatist, playwright, actor and actress. You are the great Creator – in your dreams. Considering this, have you ever wondered why that enormous creativity does not flow into your waking life? You can see that some people have that creativity and are enriched by it personally and financially. Why not you?

But what is the REAL world?

In considering how you reply to this, remember a few well-known facts about how you encounter the so-called ‘real’ world of waking life. Firstly, when you look at an object such as an orange or apple, remember that although you have the sense of seeing what colour and texture the fruit has, in fact all you are seeing is reflected light. You never see the actual colour of the object.

Also, as far as texture is concerned, this is a mystery to you. Texture depends entirely on what you approach the fruit with. If it is an electron microscope, then the texture is one of shifting swirling atoms and subatomic particles. If you were tiny the apple would have a very different appearance than it does to you at your present size. Also, remember that you never actually know what the apple feels like or looks like directly. Your eye takes in streams of light that are translated into nervous impulses transmitted along the optic nerve. In the brain these nerve impulses are again translated into an image that enables you to have some relationship with an apparently external world. In the same way the nerve endings on your fingers transmit signals that are translated into sensation.

Similarly the television picture you watch on a screen is translated from signals the TV set is sensitive to and changes into pictures, colour and sound. The signals are not in themselves images, colour or sound. So, like the TV, the world you feel so sure you are seeing and experiencing, is one your brain has created in order to enable you to deal with survival. Even so it is a translation of ‘the world’ that has been shaped by evolution and its limited needs. You only respond to very narrow wavebands of light and sound for instance. So you do not know much of what is actually going on in the world anyway. Your eye, as a lens produces an upside down image of your surroundings, and this is ‘corrected’ to help you move around more easily.

Considering that you only experience a virtual reality of the external world created by your brain – and that is itself limited to a tiny fraction of what is actually surrounding you – you cannot take seriously your perceptions of the world or people. There are so many radiations, energies, and depth upon depth of texture in the cosmos and objects around us, that in effect we are blind and deaf. See Inner World

 You Are the Creator

So it is true to say that you live in a world, in conceptions of yourself and your surroundings that are a self-created virtual reality. You could just as correctly be asked the question of whether you accept that you create all you experience in regard to the objective world, as you could of the magical dream machine.

However, we are discussing dreams, but remember that what is said could equally as well refer to your waking life.

So, your dreams are a magical place in that you have the ability in them to create a totally real world. Do you discount them? Do you see that you create your own world of experience in them? If you do, have you wondered why you may have a propensity for creating what you do? Or why, with such creative potential, you might still lack self-confidence? Just as you create your surroundings in dreams, you also create the psychological and sensory world you live in. Understanding your dreams can help you to clarify why you at times create what does not satisfy you, and how to generate a whole new world of experience. You can take charge of your creativity and ride with it instead of being at its mercy. Such power, after all, can as easily produce misery and ill health as pleasure and ability – unless you learn to direct it. Such creativity can lead you into hell, or create a heaven.

A few magic words to remember to say to yourself – “I have the magical power of creation. So I can create a hell for myself or a heaven. I have immense ranges of ability and problem solving. So here I go in believing in myself!”

Amazing Storehouse of the Mind

Although you constantly use the huge storehouse of memory and developed skills in your everyday life, you may usually fail to recognise what you are doing, and what a miracle it is. As an example, you now hold in store millions of bits of information. By asking you a simple question such as ‘What is your present home address?’ I can call to conscious awareness a minute part of the information lying unconscious. If I were to present you with a bicycle, or you were dropped in deep water, the skill of cycling or swimming could also emerge from latency if you had previously learned those skills.

Apart from these aspects of your immense storage of information, there is also the possibility that by the right series of questions or experience, you could arrive at a creative synthesis of information already held. In other words something not previously held in memory could arise by putting together old ideas or experiences. With the right stimulus, in the same way you could bring to expression potential within you that is at the moment lying dormant.

While we dream we have a very full access to the storehouse of our experience. If we learn to use the dream process we can more capably use the riches of what usually lies unconscious like treasures at the bottom of the ocean. There is a natural process of putting together the separate pieces of your experience into creative new combinations. All of this can be accessed by exploring the treasures held in your dreams and the dream process. See Using Your Intuition; Clicking On

 Mind Watching

Because of the many nature films shown on television we are now used to the idea of mature and intelligent adults spending days or years watching the behaviour of animals such as hyenas or chimpanzees. In her book In The Shadow of Man, Jane Von Lawick Goodall explains how, by watching chimpanzees and taking note of her observations, radical new insight into the behaviour of chimpanzees arose. She didn’t think beforehand what she expected to find, but simply observed and put together the information that arose. For instance on several occasions she saw the chimpanzees kill another animal and eat its flesh. The knowledge that chimpanzees were meat eaters was entirely new.

In a similar way, by observing dreams and laying bare the emotions and associated ideas and memories you have with your dream imagery, you gradually define your personality, its strengths and weaknesses, in a depth you had never managed previously. I have called this mind watching, but it covers every aspect of human nature, not simply the intellect or thinking.  See Self Help

This mind watching through observation of your dreams first presents information about your personal experiences and memories and how they influenced your growth and influence present responses. Gradually the information arising from such watching leads beyond your present boundaries of self. It shows in many cases how your unique self has arisen from, and has indissoluble links with your forebears, with your culture, with the past as a whole, and with the cosmos itself. It leads from yourself to the edge of the known, and perhaps helps you take a few steps beyond that edge into the unknown, to create new understanding, and enter new dimensions of experience.

Remember that you are probably one of the millions of humans suffering amnesia. If you doubt this ask yourself why you do not remember your childhood. No doubt you have also forgotten your life as a baby. You fail to remember your life in the womb. Perhaps, more importantly, you have also forgotten your link with the rest of the cosmos. In fact you are an amnesiac, and by ‘dream watching’ your memory can gradually be restored. It takes time and perseverance, but gradually the time line of your existence will be filled with detail.

This mind watching also gradually reveals to you the many aspects of your mind’s working, and with such insight may come the growing ability to use these facets of yourself. Not only may you discover great vistas of personal memory, but also the roots of your creativity, the subtle senses of your emotions and unconscious, and the treasures of experience you have gathered.

The Path To Take

There are many methods you can use to discover the enormous content within your dreams. For instance look at the following features and explore them to discover what works best for you:  Introduction to DreamWatching; The AmplificationMethod – PeerDream Group – Active Imagination.

Another method that can be used with great benefit if you are a person who meditates, is as follows:

The meditation method of dream understanding rests on the function of memory. The aim is to hold the dream in mind, and at the same time hold the question of what are the activities, passions, memories or pains in you that have formed the dream?

You hold this question in the same way that you hold any question – such as the one asked above about your address. Do not strive, and do not struggle to arrive at an answer. Simply sit and WATCH the dark space of your mind and feelings. Take note of whatever memories, feelings and fantasies arise.

It helps to think of your being as a keyboard that your unconscious knowledge and intuitions can play upon. Holding your self stiffly, in mind or body blocks this mobility. See the passage on using the body in dream work for further information.

This may not be a quick method. So be patient, even when nothing seems to be happening. The mind is a wonderfully responsive thing, and will attempt to present what you are seeking. But at first perhaps only stray memories or feelings will arise. Also, the insight might require you to feel something deeply, so be ready for that and let it happen if you can.

Over a period of days gradually more and more will arise, and it is worth the time spent in the exploration. But do not be content with airy-fairy insight. Do not make the dream a platitude or a cliché. Dreams are powerful expressions of your down to earth, here and now self. You will know if you have arrived at insight because it will be deeply moving and clarify areas of your life that were previously obscure.

It is important to consider what you have received and weigh it against practical observation. See if there is something you can learn from it and apply. Test it wherever practical. Do not be afraid to doubt it and try it against the world. If you are not accessing the best in yourself you need to know it. This avoids the trap of wanting your intuitions about your dream to be true at any cost. The intuitions arising from the meditation method are a valid way of gaining information, just as your senses are, or your ability to read. But your senses and your ability to read can also be ways in which false information is taken in. So your discrimination is needed when using your intuition, as it is in everyday life. The more you use it the more sharp your faculty will become. But discrimination must not act as a source of doubt that blocks your ability to receive spontaneous information.

The Hidden Buttons in the Machine

One of the things we take for granted in our experience of the world is that there are many possibilities hidden in nature that nature itself does not express. For instance lightning is one of the few ways nature expresses electricity. But as a species we have learned there are many other possibilities for the use of electricity. By directing it in various ways we can produce heat, light, sound, power to move things, and pictures as we see on the television, PC monitor or in the cinema.

This applies also to our own body and personality. The example we can use here is the drive towards sex. This has developed in us through millions of years of evolution in the process of reproduction. This gradual development has formed organs and traits, such as courting behaviour, that lead directly toward an attempt to plant the seeds or receive the seeds to reproduce.

In our own culture we largely accept this except where there is psychological trauma that may prevent a normal expression of sexual drive. We have the unconscious concept that there is no other possibility. This is rather like looking at lightning and saying, “Well, that’s how nature does it, and that is the only possible way it can be experienced.” But some other cultures have looked upon the sexual drive in a similar way that we have looked upon electricity. They have explored its possibilities.

To explain what they found, and its relevance to what is being said about your personal potential, we need to remember that in nature the electricity in the lightning simply earths itself. All that tremendous energy flows into the earth. What we have learned to do is to put something in between the flow, such as an electric fire or a television set. In this way the flow back to earth produces many different phenomena. New potentials of the electricity are manifest.

Although this is an analogy, we could say the same thing about human sexuality. The discharge of feelings and body fluids in sexual orgasm and ejaculation are like the flowing back to earth. Nature does its thing and the energy is gone. In most human sexuality today there is not even the possibility of reproduction. What other cultures have developed is the concept of this as energy. They say that this energy is potentially many other things than physical reproduction. So they divert the energy into the body toward the brain, rather than out of the body to be earthed. The results of this when successful are extended functions of the brain and senses.

The techniques and teachings lying behind yoga are fundamentally about recognising the potentials lying dormant in you and learning to use them. The eastern cultures, far more than is true in the West, have developed techniques to extend possibilities of human life. See Kundalini

Bringing this back to the “Magical Dream Machine”, once we recognise the enormous creative potential we have, and that we can see active in our dreams, we can begin to realise we are only at the foothills of the possibilities open to us. For a start, millions of tonnes of drugs are taken each year to deal with depression. Yet here we each are, capable of creating a full surround virtual reality, with extraordinary people and creatures, but we are still victims of our own feelings and fears. Isn’t that strange? Isn’t that a tragedy? See – Avoid Being Victims; Life’s Little Secrets; Archetype of the Paradigm –

Take the journey! Learn how your magical dream machine works. Find out which buttons you unconsciously press to create heaven and which buttons you press to create hell! Create your own music. Create your own life!

Dream Magic

There is a strange and wonderful world in which your most secret wishes can be fully lived. In this world the things you fear take on physical form and do battle with you – yet remain ultimately harmless unless you believe them to be real. It is a world in which magic is everyday occurrence, for you can experience death and yet live on. Here the possibilities of your future are an open door for you to explore. You have many lifetimes in this domain, and are capable of living each one with vigour. Here too, with a thought or desire, you can create a living environment in which you move and play – to act out love, anger, success or failure until you grasp their essence and master them. See Dreams are Like a Computer Game

This living laboratory enables thoughts and emotions to take on their own physical reality as people, objects or places outside of you. Meeting them you live in a universe, a community of beings with which you have an ongoing relationship. Yet it is an apparently exterior world that is but a reflection of your own inner life. Because of this, if you are wise, you may discover in it the sources of your own obstacles in life, and transform them into opportunities. The magical variety of the things met in this world reveal your own impressive creativity. For you are the Grand Creator of all that exists in this special universe of experience. Yet – and here is the jewel of this – you are not imprisoned by all you have made in this world, whether noble or evil, cherished or feared. Not trapped that is, unless you choose to be.

Dreams Express The Full Spectrum Of Human Experience

It is of course the world of your sleep and dreams. A world which encompasses the total range of human experience from the egoless void of dreamless sleep, to the sharply felt pangs of personal fear and identity.

Although dreams and sleep have always fascinated human beings, it is only toward the middle of this century that real scientific breakthroughs were made in understanding them. More recently still, with the development of greatly increased sensitivity in scientific measuring of the brain and cells, dreams have been shown to be an essential part of our learning and creative process. Also, the tremendous area of experiment undertaken by individuals in the Human Growth Movement, not only defined non clinical ways of exploring dreams, but also showed them to be a wealth of information and creative experience. Freud described dreams as being more than the supernatural events or random imagery previously supposed. But his presentation left them as expressions of unconscious repression and symbolism. Today dreams are seen to represent the whole spectrum of human experience.

Dream Consciousness Transforms Your Life

If you drive a car you cannot afford to lack skill. Your life and other people’s life depend on it. However, even if you do not drive a car you are nevertheless the driver or operator of one of the most complex vehicles ever created. It is a vehicle with many functions. It can be one of the most destructive or creative implements, and so needs enormous skill to understand and handle well. The vehicle is your own body and mind.

The essential you – the naked, decision making, responsive spark of consciousness – stands in the middle of myriad flows of energy and influence. Everything from internal urges to eat, mate, be angry, to external influences such as social pressure, music or opportunity, call you to decide or respond. To respond or decide in ways which actually satisfy you takes great skill – the lack of which leads to internal tensions, ill health, frustration, social rejection or lack of recognition, depression and so on.

Because dreams portray the various aspects of your life as external objects, and play out your relationship with them as the dream drama, they are excellent maps to guide decision making. See Drama

The following dream, told by Mo, is an example of this.

She says, “I gave birth to a little girl – Charlotte. I had mixed feelings about this. There was both uncertainty and excitement. I had a strong desire to tell someone about the birth, so telephoned my friend in Australia. She listened to my excitement in silence. I felt uneasy at this, then she said to me “I’ve lost Luke” (her son). He had died a week before. Then I woke with muddled feelings.”

On considering her dream Mo felt the baby didn’t have any obvious connection with a male figure. It was beautiful, healthy and sure of being loved and cherished by Mo. When asked who or what she had lost and mourned for she immediately felt strong emotions because she had ended a ten year long relationship with a male friend and lover. It was then clear the dream depicted what was happening in regard to this. Her love life and sexuality – the baby – were alive and born anew, even without her ex-lover. But her pleasure in this was dulled because a part of herself – the female friend – was still mourning the death of the relationship. This lessened her enjoyment and excitement about the new things emerging in her life. Nevertheless, having such a clear picture of herself helped her steer a more decisive course through her feelings of loss toward her sense of new birth. See A Woman’s Creative Power

Mo arrived at her understanding of the dream by taking each figure or part of the dream and looking at what feelings, memories or information it held for her. Her new baby was obviously an expression of her pleasure and sense of well being.

The friend depicted a sense of loss. When she asked herself where pleasure and a sense of loss could be found in her life, the dream was clear. Therefore, asking yourself straightforward questions about your dream will uncover much of its information.

Not Imprisoned By All The World You Made

We are all born victims of circumstance. But we need not remain a victim.

Your natural response to your environment is to be influenced by it. A disturbing event would stimulate you to feel fear, a calming event to feel pleasure. Your moods are usually influenced by what happens to you. So being in prison would be more depressing than being free. Being rejected would cause more pain than being admired or loved.

Our emotions and feelings about ourselves are like a keyboard that is played upon by people and events. If we are praised or rewarded our self confidence and therefore performance will usually be enhanced. That is fine except it means we will usually depend upon the world to create our moods and our sense of our own value. This makes us victims. We may not be dependent on a drug, but on praise, success, being admired or wanted. Without them we may experience the lows the drug user does on withdrawal. See Avoid Being Victims

As a human being though, you have an extraordinary possibility. This dream of Ed’s explains it.

I was in a prison with several others – all in one cell. It felt as if I had been in the prison for years. I was standing near the bars angry and shouting about the injustice of my incarceration.

As I stood raging I suddenly realised that all my anger was having no affect on the world. I was the only one suffering it. I saw that the peace and freedom I wanted from release I could have now by letting go of my anger. I would then be in peace, and would be free of my own negative emotions. I forgave my judges and gaolers, and a change came over me. In the following years I learnt to drop the other ideas and emotions I tortured myself with. I was filled with joy until my bliss filled the cell. In this way all had a changed relationship. In a strange way I was now utterly free.

The greatest prison of all, the greatest of torturers, is our own emotions and our concepts or ideas – our thoughts. While Ed felt angry and held the idea he had been wrongly accused, he was tormented and trapped – imprisoned in his own thoughts and emotions. To have received a public apology and released would have changed his feelings, but he would still have remained a passive victim of events. Instead he found in his dream the greatest freedom of all – a blissful freedom – the release from his mind and emotions.

Almost every dream you have shows you what world of experience you are creating out of your memories, your habitual attitudes, your fears and hopes. Because of this, each dream can be another step toward blissful freedom. The following dream shows clearly how Emma is imprisoned in difficult feelings.

I’ve had this dream for years. I’m trapped in a long passageway or corridor. I can’t get out. I’m feeling my way along the wall – there is a small light at the end of the tunnel, I can’t get to it. I’m very frightened. I wake up before I get to the end. Then I feel afraid to go back to sleep.

Emma cannot escape by struggling. Her trap is one of the emotions and mind. No matter what helped her create the trap, she can be free by standing out of the particular web of ideas and feelings which weave together to create her trap.

You can gather from each dream how you weave a view of the world which creates either suffering or pleasure. See Secrets of Power Dreaming

Dream Mystery Explored

It can be summed up as remembering the dream; recording of dream; listing of symbols; and association of ideas. It was also seen that symbols must be understood in their right context, or can even be understood because of that context; which is rather like arriving at the meaning of an unknown word because of the way it is used in a sentence. Several other things are mentioned or hinted at while the dreams were being analysed. Some of these are so important or helpful, that they will now be further explained. See –   Techniques for Exploring your Dreams

Main Phases of The Dream

If we look at the structure of the next dream, we see that it can be split into four phases. But not all dreams are as easily broken into the different parts. Some dreams cannot be segmented in this way, while others have far less phases. The next dream is an example of the latter.

‘I had gone to Sheila’s and Uncle Frank’s house at Spearing Road. They had promised I could have a room there, but I found all the rooms occupied and people were sleeping on the floor instead of in beds. Seeing there was no room I turned away and the next thing I knew I was in a train; it had rather luxurious blue leather seats but again was almost full. It contained, as far as I could see, all ladies, and I explained to them that I had been promised sleeping accommodation. Even while I was explaining this and expecting to occupy a length of three seats, I could see they had as much right there as I, and I took the single seat offered still protesting that we were promised sleeping room.

This dream can only be broken into two, or at the most, three parts. That is, the house, the train and possibly, accepting the seat. If this is set out we have a clearer idea what the dream is about.

The House – Searching for living space in a childhood setting. Found ‘no room’ – What have I been looking for in childhood attitudes? Was the ‘promise’ of childhood unfulfilled?

The Train – Exorbitant expectations, annoyance at the fact that these high expectations cannot be fulfilled. This in a setting of getting somewhere – train. Have my expectations in getting somewhere not been as great as hoped for?

The Single Seat – Grudging acceptance of practical offer. Can I see anything of this in real life?

The whole idea of using this method is to take the general events, implications and settings of a dream, and use these as a reference for asking oneself questions.

The Dream Sequence

One of the things that is often overlooked in dreams is what we might call the ‘because’ factor. This factor is fairly noticeable when once pointed out, but difficult to see until much dream interpretation has been done. The because factor also applies in our everyday life, and can be seen when we say, ‘I was waiting for a bus and began to talk to a stranger who was also waiting. Our conversation became so interesting, that after a few minutes we went and sat in a restaurant, letting the bus go, because we had so much in common. Before he went he gave me his card because he wanted me to contact him again. I could see from what we had spoken about, that he was thinking of offering me a job in his firm. But I never followed it up because I didn’t think I could fill the post.’

If we look into this, we see that important events occur, directions followed, decisions taken, all because. The word ‘because’ in fact hides all our background, our feelings, our predisposing urges and thoughts. The word ‘disposition’ can in fact be used to sum up what lurks behind the because factor. A little thought will show that history is made up of this ‘disposition’, acting through the because factor.

I hope this doesn’t sound mysterious or complicated. This is such an important thing to understand. Our whole life, the events and outcome of it, rest upon it. Our life is what it is because of what we are – our disposition. We take an offer or reject it because of this. We succeed or fail in life because of the same factor – ourselves. ‘The fault, dear Brutus, lies not in the stars/But in ourselves, that we be underlings.’ When understood, we can see that every move we make in life is conditioned by subtle feelings of fear or pleasure, pride or love. At every decision we are directed by intangible hopes, despairs, conflicts and ideals. So, dreams also, arise out of the because factor.

Two dreams illustrate this. ‘I was waiting for a visitor. Suddenly the man I had been expecting came round to the back window and peeped in. I didn’t see him clearly, but took an immediate aversion to him and refused to let him in.’

Here we see that something ‘waited’ for by the dreamer, when it actually arrives, is not admitted due to feelings of aversion. It is not admitted because of aversion.

A clearer example is this. ‘I was surrounded by a thick wall of briars, beyond which were wild animals. I was trapped and couldn’t get out. I wondered what to do. Suddenly I noticed a hole in the ground. I looked in and saw it was a tunnel. I was just about to explore it as a way of escape, when I saw a dirty animal-like man looking up at me. I drew back from the tunnel in disgust and woke up’.

Here we see that the dreamer is trapped by his own tangle of problems, and destructive instinctive urges. A possible way out is shown in the tunnel of unconscious exploration (i.e. discovering one’s hidden contents), but the dreamer, on looking within, sees an undeveloped and repulsive part of himself which disgusts him. It is because of this disgust that he cannot get out through the tunnel. The whole dream revolves around that point. It is also because of this inability to explore further due to disgust, that the dream ends. The dream is showing that it is the feelings of disgust that are keeping him trapped in his unpromising situation. In real life, he is stuck in the middle of painful experiences because of his own feelings of disgust about a part of his nature. Thus, the because factor in dreams is very important, and is the central point in numerous dreams.

Dream Series

If we fail to understand an individual dream, light can often be thrown upon its meaning by looking at the dreams that precede and follow it. In this way one sees that the symbols are used in a gradually evolving manner. A dream series of evolving symbols is also one of the most striking proofs that dreams are not mere nonsense. The dreams that follow were all dreamt within about a month.

(1)   ‘Visit to M. Very nice house, high on the cliffs overlooking the sea. M. and others their usual welcoming selves. Met other pleasant friendly people, but we had to go down the hill to meet them and then some of them pointed out another way up the hill to another beautiful view, and came along to show us the way, which M. actually knew, but didn’t want to spoil their pleasure in showing me. A few of those in M.’s house were not quite as nice as I had believed from M.’s description, but I liked them anyway.

Here we start off with a house overlooking the sea – a state of looking over one’s hidden contents, one’s unconscious. Or we might – say the dreamer is ‘overlooking’ certain things about herself. These things she has overlooked begin to become known in the people, parts of herself, that were not quite as nice as she had believed.

(2)   ‘Met uncle George. Then he and I and a few relatives and friends went on to a small boat and began a journey. I didn’t know where we were going but others did, and it was such a new and pleasant experience for me that I didn’t bother to ask. As it grew dusk a strange but pleasant and friendly woman, who was obviously familiar with the boat, came and closed the curtains and put the light on, so that we could be comfortable during the night.’

Just previous to dream number one, the dreamer had begun, with the help of a friend who knew a little about interpretation, to analyse her own dreams. So we see that from ‘overlooking’ the sea she has quickly gone on a sea voyage. The dream sums up her situation wonderfully, ‘I didn’t know where we were going, but – others did.’ She didn’t at the time realise where the interpretations and dreams would lead her. Also, the sea is now much closer, and night is coming. That is, darkness and the unconscious are already making themselves felt, for the night sea journey is a classical dream of the exploration of one’s unconscious contents, as with Jonah and the whale. See archetype of the night sea journey

(3) ‘Found myself in a place where I could go swimming every morning.’

Already she is beginning to enter the water, or her inner life.

(4)   ‘Went into a church with someone who pointed out that I was facing the wrong way. I turned round and saw a bigger and lighter altar at the other end.’

Having begun to contact her inner life via swimming, immersing in it, she sees that her attitude to religion or her own

(5) ‘I was involved in a revolution. Everything around was collapsing, but I don’t remember being frightened.’

All her old ideas are being either revolutionised, or are collapsing.

(6) ‘I found myself being led in a particular direction by friendly pleasant people, who yet knew that on arrival I was to be executed. I had an immature woman of about twenty-five with me, and the same fate awaited her. I took her hand and tried to convey love and courage and to protect her from all her fears by behaving in a light-hearted manner.

As her old ideas collapse, her old self is to die. Also the immature twenty-five year-old part that still lives on in her is to die.

(7) ‘I found myself entering a tunnel where I encountered a rather frightening little animal, but we passed each other as he went out and I went in. Then I met a larger animal with the same results. Later I met a third, a real monster, rather like a 60ft caterpillar with a lion’s head and fore feet. I did not like the encounter as I continued to walk on the left side of the tunnel, into ever deepening darkness, and he passed me on the way out. Somehow I felt that Doctor (a friend and adviser) would not have been in the least afraid, and I borrowed his courage, and woke about half-way along this monster.’

Having been ready to die to her old way of life, she can begin the descent into her unconscious contents in earnest. The two frightening animals are two fears that came up and out. The third one is too big a fear to completely pass by at this time; and its shape shows its possible sexual nature.

Here, in just seven dreams, with very inadequate comments, can be seen how the symbols evolve as the dreamer discovers her real inner nature. The ‘overlooked’ sea becomes travelled upon. The coming darkness on the boat develops into the ‘deepening darkness’ of the tunnel; while each dream shows a development on the inward journey the dreamer was undertaking. Such a series need not be about the inward journey, however, but about commercial undertakings, health, ambitions, or even answers to intellectual queries.

These seven dreams were taken from about twice that many, dreamed during the period. The selection being based on how one can understand past dreams by seeing them in context with others occurring. The important point being that one might dream of looking at the sea for years, but never enter it. Then, with a change of ‘disposition’, a series of swimming and diving dreams take place. In interpreting our dreams in this way, we have to watch for similar symbols in changed conditions. The sea and darkness are obvious in the series. Also the crowd of people leading her, representative of her own desires to understand herself. The interpretation is arrived at by analysing the situations the dreamer finds herself in, and how the symbols change. Thus a seed seen in one dream, and a plant just growing in another suggest growth and development. A person scorned in one dream, and loved in another, would be a change of attitude and relationship.

These three methods, the Main Phase – the Because Factor, and the Series method, all help us to see the underlying meaning of the dream through looking at the dream as a whole. Particular symbols are not worked on in the same way as in the associated ideas method. It is the relationships the dream suggests that arouse questions. In turn, these questions themselves clarify the dream for us, and help us analyse our experience to see if the dream explains or explores it. As we advance in ability to deal with our dreams, these various methods are called upon and used as required. See – Techniques for Exploring your Dreams