Posts Tagged ‘insight’

Dreams and Your Ancient Past

Through the Eye of Dreams

There has been a conjuring trick performed in regard to our view of who we are. It is almost as if we have stepped into a photo booth, and instead of a realistic image of ourselves being produced we are given one with most of our features missing. The strange thing is we usually accept this distorted image of ourselves as real, though most of us feel odd about it, and some of us actually get around to searching for a different image.

What I mean is that we have the notion from the current popular mythology of reality that we are produced by the combination of our parent’s sperm and ovum. The genetic combination is, we believe, the print of who we are.

I know this is a massive simplification, and I am not saying it as a criticism, simply a statement of popular belief. Nevertheless it is a belief that shapes the concepts people have of themselves. But the sperm and ovum, the genes, do not provide language, they do not give us culture, books, music or religion, despite any connections there might be. Children raised by animals do not develop any of these culturally given enhancements. They are not innate. See Animal Children.

The myths of our times also suggest that our personality is either God given; or it is formed out of the whims and neurosis of our parents and events during our infancy; or perhaps it is just made that way like a piece of equipment stamped out in a factory or by the position of the stars at our birth, and there’s not much one can do about it. This modern myth goes on to suggest that the only eternal life any of us can hope for is that arising through procreation. It is only our genes, we are assured, that will live on if we successfully procreate and our children survive and prosper. Because of this, it is further explained, our sexual urge drives us all forward into the convoluted avenues of sexual relationships. And these are factors influencing how the image we have of ourselves comes out strangely distorted.

I sometimes think there is an odd quirk in human nature that makes us want only one answer to any riddle in life. It is as if there can only ever be one right thing, one truth about anything, and everything else is thereby false. This is a, ‘if religion is correct, then science is wrong’ type of reasoning, as if they are both looking at the same piece of the cosmos from the same direction. It is like the Indian story of the blind men describing the elephant. One has his hands on a leg, another on the trunk, and so on. None of them are able to see the whole animal and therefore have a distorted impression of it.

Therefore one must beware of the urge to avoid insecurity by hanging on to the tail of the elephant and feeling one is safe because at least we know what the beast is. It is in fact dubious whether we can ever know ‘the beast’, though it might be possible to have an intuition or sense of it. The universe and the mystery of life and consciousness are so vast that none of us can possibly hold all the factors involved in mind at any one time. Therefore we cannot possibly arrive at any inclusive understanding of the big questions – why am I here? What is life about? How did life come about?

Coming back to the distorted image we can arrive at of ourselves, if we take time to consider our origins, it can bring us a bit more toward a feeling of wholeness and sense of reality. For instance it is obvious and wonderful how the bodies of our parents, through the gift of their own genetic material, have shaped our own body and its inclinations. This much is now demonstrable, but where I want to go from here is to look at common human experience in an uncommon way, through the eye of a dream.

The Voice of My Dead Forebears

The dream is that of a man in his mid forties.

“I am walking along a cobbled road going slightly down–hill. I know as I dream that I am in Italy. I do not feel a stranger in this land, and am learning the language.” Ron.

Ron describes his exploration and insights into the dream by saying:

This was a very short dream and I didn’t think it had any real significance, but I was regularly exploring my dreams, and it interested me because I couldn’t understand what it referred to in showing me learning the language. I had never learned Italian and was not doing so.

When I relaxed and allowed the free flow of my associations and feelings, the first part of the dream was easy. My father was born in England of two Italian parents. So being in Italy, a country I had never visited myself, I could immediately feel and understand as referring to my family on my father’s side and the influences that has left in the way I think and live.

But I felt myself falling deeper into the dream. It was something I had learned to do. I not only kept the question ticking over quietly of what does the dream indicate, but at the same time I relaxed control of my thoughts, my body and emotions. This is like being half asleep in a state where the body can twitch spontaneously, and perhaps I can even hear myself making slight vocal sounds, and yet I am wide–awake watching what arises. Because of this state a flow of memories began to arise about my father, and I realised something I had only been partially aware of before.

My father had taken over the family shop when his father had died. The shop was in London, just over a mile away from the old Covent Garden fruit and vegetable market. Most days my father walked, pushing a barrow, and in later years drove to the market to buy produce for the shop. I often went with him, helping carry and load, and perhaps push the barrow. In my youth I wasn’t aware of it, but now in my flowing memories I realised that my father was very distant or cautious in his dealings with the market salesmen and porters. A distinct and overall realisation arose out of the many memories and impressions; it was that my father was expressing a particular type of caution in all his dealings with other people. I saw this as keeping who he was secret – keeping his head down.

As I saw this in my father it hit me with great power that this attitude had passed to me, and although I expressed it in a different way, I had inherited it with equal strength. Why? And, how?

The perception that was taking place was not like my normal thinking. It comprehensively gathered memories and put them together in a way that made patterns and themes stand out. So as the process of insight was taking place I saw just how the urge to keep my head down, not stand out in the crowd, not get involved with people, had influenced my actions. For a start I had never voted in my life. This was because I could never identify with groups pushing for power. I had avoided everyday social activity, although relationships with individuals were not threatening.

Now I started seeing how this attitude had passed to me so strongly. My thought, as I witnessed the flow of memories, was that perhaps such information was genetic, because my father had never talked to me much at all. He had certainly never urged me to keep out of the limelight – to keep my head down, and until now I hadn’t been aware that he had been doing it himself, so it wasn’t simply conscious emulation. I can only say that I ‘saw’ how it had happened. What I mean is that through the still flowing memory and feelings it was as if I could actually look into the heart of things and see how they worked. The insight I achieved was that we as humans, like other mammals, in our earliest years particularly, still learn like most mammals do, and that is not verbal at all. A massive amount of information is absorbed from our parents without any effort or awareness.

What Ron realised is that just as a fox cub ‘learns’ how to hunt from its parents, so we absorb the deeply etched survival strategies of our parents simply by being around them. If genes come into it anywhere, they perhaps create the reflex response that instinctively draws in the survival tactics that perhaps even our parents themselves have never really been aware they live by. In doing this the higher animals learn what cannot be passed on as instinct, what is not ‘hard wired’ into them. This holds in it a tremendous advantage because ‘hard wiring’ takes a long time. Through this faster method we learn what to be afraid of, what to eat, how to hunt, because the lessons learned by pain through many generations are exhibited in our parents behaviour in dealing with events. The experiments with apes in Japan, where Imo the macaque ape learned the ability to wash sweet potatoes to remove sand grains, show how this was passed on from this one female to the whole group, and then to subsequent young macaques, and illustrates how survival information is passed on non verbally for generations. An important aspect of this is that whatever of such information is held in the present generation, it is an accumulation of skills and responses learned over many generations, and is the fundamental survival strategies of that particular family or group line. Ron goes on to say:

The degree of this was staggering to me. It led me to wonder just where my father had got the information from, and although this was obvious from my own perception of where I had received the messages from, the resulting experience profoundly moved and impressed me. It taught me things about myself I don’t think I could have learned in any other way. A floodgate of impressions rushed into my awareness at such a pace I can only record the main ones.

Suddenly my mind let the power of the messages my father had carried and passed to me speak, as if they were alive. I experienced what appeared to be a direct connection with my far ancestors. This may sound strange, but my father had, as it were, handed me a recording. He and I had been impressed with the cover and it had led us to live in a particular way. But now I had put the recording on the player and the ancient originators expressed their own message.

Obviously this is only an analogy to convey the experience, but in some way the message played out in me from centuries back. From it I learned that my forebears had lived in Italy during a period of great religious and political tension. The pressures to conform had been enormous. Not only were my ancestors told to believe in a particular sort of God, but also to accept leadership from people they had no respect for. If they did not live this belief and submit to it they were killed or rejected by the community they had been born into. In their own words I heard them saying to me something like ‘The worst was they did not kill us, but they cut our vine at the roots. They burnt our land and they killed our children. If you want your sons to live, teach them not to hold their head up, but to keep their eyes on the ground.’

And out of that trauma the message had been passed to me many generations later. It was survival. I was still living it, but perhaps it was time to reappraise.

I Am an Ancient Thing

Ron’s description helps us look at what is a common experience, and in a different way, an established observation in biology. It is common knowledge that animals learn through example. It is common knowledge that traits pass on through generations. What is added here is the powerful way such behaviour can pass on in humans. It shows how we communicate behaviour to our children without any conscious intention. Looking through the eye of dreams we see here a psychological or psychic [ii] realm that extends beyond the mere transmission of behaviour. It includes or leads to meaning, to understanding ones roots. This may seem mysterious or unfeasible if one has not actually experienced the way the dream process puts apparently abstract experience into imagery leading to insight. [iii] If one has witnessed this process at work, what Ron speaks of does not seem remarkable.

Looking through the eye of Ron’s dream there is a suggestion that aspects of Ron’s personality did not begin with his birth. Parts of his personality preceded his birth, being carried and passed on by his father. This module or facet of Ron’s character had been formed hundreds of years previously. It had been part of the lives of his forebears, and had been carried forward into his life. It did not pass on to Ron through any genetic material. It entered him through absorption of the behaviour of his parent. So it is saying that just as the genes we receive are ancient and passed to us, this survival information is also ancient and passed on. It influences who we are as profoundly as any genes.

Of course, Ron is only seeing his connection with his father. There would also be packages of behaviour and information handed to him by his mother. [iv] So not only can one have a ‘gene pool’ from which our being is formed, there is also a ‘behavioural pool’ acting as a similar resource. This does not so much shape the body, but certainly gives form to the character and responses. In fact unlike the genetic passage where a set of genes in the mother is united with a set from the father, the behavioural pool may have several ‘sets’ or packages which can be triggered by different environmental circumstances. My experience suggests that the behavioural packages from the mother and father certainly do not splice as do the genes.

The behaviour Ron observed in himself, in his father and grandfather, although according to Ron’s insight it arose at a particular period in history, it obviously rested upon traits already existing in the family from an even more ancient past. So the trauma of persecution may have modified existing traits rather than set in place entirely new ones.

Because of pre–existing traits, another family might have responded quite differently to being subjugated. They might have pushed for dominance rather than anonymity. They may have aggressively opposed, sought opportunity to join the ranks of power, or actively supported as a subordinate.

This is supposition based on insufficient evidence; but if the basic idea of the passage of behaviour is correct, it shows human nature as having several dimensions to what forms who they know themselves to be. These are almost like different streams from the past meeting in the person, and in some way passing on into the future, perhaps separated again. For instance we have the stream arising from the body and its genetic material; we have the stream arising from cultural language with all its massive inbuilt data; we have the behavioural pool that we inherit, again with massive innate information. When we begin to look at what it is to be human from this perspective we see we are multi dimensional creatures, existing in the flow of huge streams of influence. And these streams themselves mingle in different ways creating a variety of experiences and further dimensions.

Coming back to Ron though, there is certainly a transitory and short lived aspect to him, in that his unique body and many of his personality traits will only exist during his physical life. But facets of Ron have existed for millions of years – in the genetic stream for instance. And even in his highly ephemeral personality itself, there are parts that have had a long life before Ron woke to his personal existence. For instance the language he was brought into existence by and the behavioural influences he absorbed.

This makes nonsense of the myth that we only have eternal life through procreation. It also suggests that if Ron identifies with the aspects of himself that are short lived, such as the transitory aspects of his body, his less permanent personality traits, his changing likes and dislikes, then he faces death. All that he thinks of as himself will perish. In this sense he cannot survive bodily death.

In fact it seems as if Western society faces the issue of death in a much more catastrophic way than other cultures. The reason for this is that many older cultures see the personality as transitory anyway, and identify more fully with the family ancestors and the longer lasting aspects of life.

It might be argued that as the behavioural traits passed on to Ron preceded him, he cannot really identify with them as himself, so cannot see them as an aspect of himself that has a long life. The problem here is that hardly anything in the personality is unique except perhaps the exact mixture of traits and responses, memories and dreams that make up that particular person. Everything is taken from somewhere else, or is a mixture or development of what already existed. We all identify with the contents of our mind, our language and our traits, yet these are not new with our own personal awakening as a person. So we cannot separate Ron from what he has inherited. It is still him. If it has a long life, then we must say aspects of Ron have a long life.

Once we grasp this idea of the passage of behavioural traits from generation to generation, I believe it can be observed fairly easily in everyday life. Much of folk beliefs suggest it without filling in the details. Such sayings as ‘like father like son’ – ‘like mother like daughter’ have the belief implicit in them. The generally held view that each nation has a different cultural identity also suggests it. In fact we often use the word culture to describe the behavioural traits peculiar to a particular group of people, in reference to their observable behaviour traits which are passed on from generation to generation throughout the group or nation. We are therefore talking about a behavioural pool with particular characteristics.

I have frequently observed family groups out shopping and seen the intense mimicry of a child for its father or mother, even to certain positions of the hands, or posture of the body. Such passage of very particular behavioural traits is especially noticeable in the learning of language. The unique sounds of certain words, even within one language such as English, are mimicked in an extraordinary way by children, creating a local dialect in which sounds are made that are often quite difficult for people outside of the area to make.

It is innate in us to soak in and mimic the behaviour of those close to us. That is obvious. All I am adding to that is the suggestion that deeply seated personality traits, and the shape of our psyche, are also radically influenced in the same way. Not only do we soak in actual behaviour, but we are capable of transforming the messages coded in behaviour into personal psychological experience such as described by Ron.

I Speak Therefore I Am

That our often closely guarded personality is made up of pieces of behaviour that existed long before we did, may be a strange idea to many people. The way we present our film stars and pop idols as special, or particularly talented; the way we often think of ourselves, is as hermetically sealed units that have been influenced from outside by environment and people, but on the whole we are unique. Sometimes people even adopt a superior attitude, as if to say ‘I am vastly different to the rest of humanity’. This makes it difficult for us to actually observe our origins.

If we think of an acorn, it is easy enough to believe that if we planted it, a tree would grow from it that would be very much the same as the trees from which its genetic material arose. In its particular growth however, factors of soil, weather and events would shape it to its own uniqueness. With human beings we think similarly, except we commonly leave out factors of great importance, factors which contribute to our personal existence in such a major way that to forget them is to be like the blind men with the elephant once more. For example a tree doesn’t learn speech, or the customs of its cultural group.

Particularly in past centuries, when there was a much closer relationship between humans and wild animals, it was noticed that if a baby was lost and raised by a creature of the wild, such as a she–wolf or bear, the child never became properly human. Being human is not innate. Something rubs off from functioning mature humans onto their babies to make them into human beings. The major differences are that the baby raised by an animal lacks self awareness; it cannot speak any language other than that of the animal it was raised by, and it lacks a sense of time; and in many cases there is a deep sense of connection with animals and the natural environment. Its reactions to surroundings are those of the animal it was raised by. Thus the behaviour traits it learned were not those of the human animal, but of the mammal that mothered it.

A headline in the Daily Star on April 17 1991, at the time the film Dances With Wolves was popular reads: “TRAGIC BOY’S DANCE IN WOLF’S LAIR.” It goes on to say:

A tragic orphan brought up by a pack of wild wolves will never be able to live like a normal man, say doctors. The boy who REALLY danced with the wolves was aged about seven when he was found 29 years ago in the wastes of Southern Russia by a team of oil explorers. He howled like a wolf and savagely bit one of the oil men who christened him Djuma – the Wolf Boy.

Professor Rufat Kazirbayev said doctors had battled to re–educate him to act like a normal human being – but failed. They are now giving up the fight.

“His mind is with the wolves. He will howl at the moon for the rest of his life,” he said.

Djuma, now about 36, is still in hospital. He still crawls on all fours, eats raw meat and bites when frightened. He can speak only disjointed phrases – “Mother dead. Father dead. Brother dead. Sister dead. Mother nice. Father bad.”

Dr. Anna Ticheenskaya said: “presumably his family were killed in a purge. He has shown us in sign language how his mother saved him by throwing herself over his body.”

Djuma has learned to brush his hair, clean his teeth and use the toilet “Like a trained animal.” But when taken to the zoo he howls as if he was urging the animals to take him to freedom. Sadly that will never happen. Djuma will probably spend the rest of his life in the clinic where, doctors say, he spends his days like a dog – half asleep and dreaming.

The autobiography of Helen Keller helps in understanding what may be the difference between an animal, or an animal man like Djuma and a human being with self awareness. Helen, made blind and deaf through illness prior to learning to speak, described how she lived in a dark unconscious world lacking any sense of self until the age of seven when she was taught the deaf and dumb language. At first her teacher’s fingers touching hers were simply a tactile but meaningless experience. Then, perhaps because she had learned one word prior to her illness, meaning flooded her darkness. She tells us that “Nothingness was blotted out.” Through language she became a person and developed a sense of self, whereas before there had been – nothing.

This ‘nothingness’ described by Helen Keller is difficult for most of us to imagine, having all our life been exposed to other human beings through behaviour and speech. Helen describes it as having no awareness of personal pain or events. She says that perhaps things happened to her, perhaps they were painful, but as she had no personal self to appreciate this, they were merely passing tactile sensations. She was not personally disturbed by them because she had no ‘person’ to be disturbed.

The learning of language was the pivot around which Helen’s self awareness evolved, with its attendant ability to think, to have a sense of ‘I’ or ‘me’ and all the personal relationships with others and the world arising from that. Without the learning of a complex language which holds in it the concept of ‘selfhood’ there is apparently no possibility of self awareness. Without the passage of the ‘behavioural pool’ from a human being to a human infant, there is no possibility of a self aware human maturing from the baby.

The information gathered from the many cases of ‘animal children’ suggests that not only do the behavioural traits of the fostering animal pass to the child, but also the state of soul can be thought of as a form of behavioural response which is also learned. In other words, self awareness, which is so taken for granted in our own life, is passed to us as a learned response by the humans who are our role models and mentors. Selfhood is not genetically given, it is a behavioural response.

The story of Imo the macaque mentioned earlier helps us imagine a possible first scene for the emergence of self awareness in the human species.

There must have been a gradual development of the complexity of language bringing the pre–human to the point where self awareness was ready to emerge, but hadn’t quite been realised. Then, perhaps an event or a particular situation in the life of the pre–human triggered the new awareness. Suddenly the pre–human was self aware and stepped into human experience.

This must have been a momentous experience for the individual or individuals it occurred to. If compared with the descriptions of people in our present times who achieve a new state of awareness such as Maurice Bucke describes in his book Cosmic Consciousness, it was probably a ‘religious’ experience – something appearing to have been visited upon the individual from a power exterior to them. In such cases the experience, the new state of awareness, usually only lasts a short time, but may become more prolonged as the individual is further exposed to it. One might even speculate that just as animals will repeat an action that provides food or pleasure, so the experience of self awareness in early pre–humans may have led to ritual performance of actions, or the re–creation of circumstances, that were part of the first experience. These I imagine as the roots of religious ritual. I believe such achievement of a new type of awareness by certain individuals is also behind traditions such as yoga and Sufism. This can be observed in particular in Subud in which one individual experienced what he was certain was a new experience and passed it on to others through contact.  In his book The Origin of Consciousness in the Bicameral Mind, Julian Jaynes gives a detailed historical perspective of these beginnings in the not so distant past.

The following dream of Joan C. illustrates and further describes the collective life of early humans, and the experience of developing from it to self awareness. Joan’s work on the dream provides us with another example of the information possible to gain through the eye of dreams.

In my dream I was in the garden of a large house. To the right of the house, my right that is, I saw the garden had been changed. I realised that I knew the garden from childhood, and there used to be a large pool by the house in which we all bathed when young. The ground sloped up from the house and was rough, but part of it had been dug over. The care and skill with which this had been done deeply impressed me.

There were no direct associations I could make with the house or the pond, so I started allowing spontaneous material to enter into the dream, allowing my mind to roam freely and show me out of what images and feelings the dream had been fashioned.

I started with the pond, and had the most unexpected set of fantasies and feelings bubble up from within. The garden when we were children referred to a condition of mind, which I now experienced, in which a group shared a common awareness, and felt at one with their environment. In other words there was no separate identity. No one in the group knew themselves as an individual. I knew as I experienced this that it was about the early condition of human beings, and was represented in the Bible as the Garden of Eden. It was about the history of our development as human beings. It showed me that in the early stages of evolution all human beings lived in a state of awareness in which they had no sense of separation from nature itself. They had no sense of individual existence either, but lived in a sort of paradise where there was no idea of birth or death or right or wrong. They felt at one with each other in their small groups and with the forces of nature.

When I experienced this I understood at last what the story of Genesis meant. It was about stages of psychological development, not physical or mythical history. Humans had come out of the pool though, out of the collective awareness, and at that point I experienced a mass of impressions and images I still cannot completely understand. The images suggested that at first, maybe one or two humans climbed out of that pool, and they left a mark. They climbed out and put one stone on top of another. The images developed further into suggesting that many ancient monuments were an expression of this enormous sense of the newly found identity – of personal existence.

I understood this to mean that one or two humans had achieved personal identity. In that state they realised something about themselves – they could say ‘I am’. They could ask ‘Who am I?’ That had never been possible before.

I need to say what arose in me were not those words or memory or vision of definite events, but a sense of touching or experiencing an overall memory, a vast overall process. So I am trying to put into words what I sensed. It was such a wonderful thing, so full of experience, to see this that I want to try to describe it. At the same time, it was an immense process and difficult to capture.

What I felt was that the pool was a collective consciousness such as Jung speaks of, and that it still exists now in our unconscious. At the early stages of human development though, it was the everyday experience, but the individuals who attained self awareness began to build a new type of life. They left stone monuments, carvings, paintings in caves, stone circles, pyramids; each person, each group realising deep down that this new level of awareness was a thing to be given and built. The Sphinx is an image of this half way state of human and animal.

This is where words are difficult, but the dug ground in the dream depicts it. If the son of a farmer takes over the farm, his work and achievement are built upon what his father did with the land. The father’s work is built upon by the son, and is a continuation, of what his father did. Even if one was to take a piece of land which had never been farmed before, one would farm it with tools, experience and attitudes developed gradually through thousands of years of human effort. I saw that I, although I am not usually aware of it, am formed out of the ideas, words, attitudes, pleasure and pain left to me as a heritage by millions of people. If I had not been raised by modern humans I would, in fact, not have developed an identity. My identity is a gift to me from the great river of human beings who left a mark, one stone on top of another, a concept enshrined in art, a struggle or love immortalised in stone, a realisation and transcendence depicted in a religious ritual or in a new word.

The garden, the dug plot was myself, my personality. But my personality, the attitudes and reactions of its very foundations and structure, the words with which my mind realises its existence, are the living remains of countless other lives and their endeavour, their love, their ignoble failure, their genius and their prayers. I AM my ancestors. That I have also dug that plot by my work on my dreams, by trying to transform the unwieldy loam of myself into finer stuff, gives me a place in the river of life, in the eternal process of continuity.

Most important of all, perhaps, in such simple acts as writing out this dream, I leave a mark. I etch upon the world the sign of my own realisation, the changed lines of transformation. For self consciousness is a sort of collective consciousness which forever depends upon giving, and upon physical records of living beings to enshrine its existence. Without living beings who carry the words and responses gradually developed by myriad ancestors; without books, paintings, music, science and architecture, we have no existence as people. In one generation we could be swallowed up by that pool, that sea of self–forgetting symbolised by the waters that swallowed Noah’s contemporaries. Even now, without the love of giving, that sea can swallow us. That was my dream.

Joan’s description further illustrates how our mind, approached in the right way, can pour out realisations and insights that are deeply educational. It is a form of outpouring and mental function that few of us are ever taught to look to or use in our schooling. But it IS a common experience in the sense of it being described in all the cultures throughout history. It IS accessible.

Joan and Ron’s descriptions taken together also say that there is a function in the human mind that takes external information, such as language, behaviour and architecture, and treats it like a code. Perhaps if the example of the printed word is used this makes it easier to understand. A book might be a couple of hundred years old. A baby who grows and is taught the language of the book can eventually read it. As it is being read, what was a physical object unfolds in the child huge amounts of information and imagery. Perhaps it moves the child emotionally also. It may even explain aspects of their own existence they knew nothing about before.

That is not an exact analogy, but Ron and Joan suggest that the external objects of culture we see around us and take for granted, actually produce in us the release of a massive amount of information and deeply felt experience. Most often however, we fail to appreciate this as it is covered, or obscured by the dominant sensory impressions and taught responses, as already described.

When it is appreciated and released, the result is probably due to a complex interaction between genetically produced inclinations, the environment, and culturally provided education, plus an up–welling of unconscious material from the ocean of information we all live within. This fuller understanding of our cultural environment is probably necessary for optimum survival, but is not necessary to become a conscious individual stumbling along through life.

The View So Far

Looking through the eye of dreams and human experience, such as Ron and Joan’s dream–work and the account of Helen Keller, a situation is described stating that our personal identity rests on –

• The passage of behavioural traits from adults to the new born.
• The learning of language.
• The interaction between people affirming personal identity.
• A collective consciousness. This is created physically by the written and spoken word, but also by all other works of humanity such as music, art, architecture, and of course social structure. Its fundamental base is living human beings who have learned language and carry ancestral behavioural traits. In a sense, the enormity of who we are is external to us and our body and brain are decoding instruments.
• The collective consciousness is a code that can come to life in the individual. Only the cultural environment plus the personal response to it make a whole.
• A collective unconscious is the source of our personal existence.

See House of the Ancestors.

Dream Meanings

Albert Einstein admitted that the earliest intimations of his Theory of Relativity occurred to him in a dream he experienced during adolescence. In his dream he was riding on a sledge.  As the sledge accelerated faster and faster it approached the speed of light and the stars began to distort. They changed their pattern and colours, dazzling him with the beauty and power of their transformation.  He said that in many ways his entire scientific career was an extended meditation on that dream.

The meaning Einstein extracted from his dream has helped shape the quality of our life today. But Einstein is not alone in having meaningful dreams. Each dream you have enshrines some facet of yourself or life. But if you fail to ‘meditate’ upon its truth, the creative impulse of your dream-genius may be lost. See – Techniques for Exploring your Dreams

True, some dreams hardly need much thought to be understood.  Mary, who suffered a chronic vaginal yeast infection following the use of antibiotics, had been advised to try folic acid (one of the B vitamins). As the prescribed medical treatment had not helped she followed the advice.  After a few days she experienced unusual cramping and dreamt she was in her kitchen wondering what to do with bowls and bowls of acid. A raggedy kitten came to her and she fed it brown bread with yeast and strawberries.  The kitten gobbled it up.

She looked to her dreams

She habitually looked to her dreams for helpful information and considered the bowls as referring to the folic acid.  Because the kitten (her pussy) looked a bit poorly, she felt it represented her physical health.  So she stopped taking the folic acid and added yeast tablets and more vitamin C (the strawberries) to her diet.  The cramps disappeared and within a few days the infection was on its way out too.

In most cases, however, our dreams are more obscure.  We might unwrap them from their enigma if we ignore the symbols for a while and consider what feelings are experienced.  Neal, for instance, was in his early forties and worked as a builder/decorator, a job he disliked.  His real love was writing, but he had never made enough money from this to support himself and family, and felt depressed as he saw his fifties approaching. He was- considering moving to where he might find less demanding work, and dreamt he was in a bicycle rally.  Each participant started from their home.  In the dream Neal lived near the bottom of a huge hill.  It took him till midday to cycle to the top.  Then the way was flat, and he realised he would cover much more ground in the afternoon and evening.

Stripping away the symbols, the first feeling is of a long uphill struggle.  This was exactly how Neal felt about his life.  It had been a long struggle, and even though he hadn’t given up, he didn’t feel he was getting anywhere.  The second half of the dream felt satisfying though, and this led Neal to see the dream as saying the first half of his life – the morning – had been an up hill struggle, but he would cover a lot more ground in the ‘afternoon’.  He gave up his plans to move, and within three months was offered work with a newspaper.

The Theme Is …

When the connections between the feelings experienced or suggested in the dream, and our everyday life are found, it can help understand the dream further if we consider its theme, or setting.  Neal’s cycle rally, for example, has the theme of trying to get somewhere in relationship with other people.  It is interesting that Neal is not in a race but a rally. This shows he does not feel in competition with the rest of the world.

This technique helps us understand the dream of a woman whose thirteen year old son was sneaking out when he thought his parents were asleep, to meet the girl next door.  “I dreamt my son is assembling a new bike in his bedroom.  His dad is very proud of his workmanship, but I unintentionally carry the handlebars downstairs.  His older brother carries them back though.”

The overall theme is about how the family relates to the younger son’s independent creativity.  The bedroom suggests his private sexuality, and the mother realised she was not helping him guide – the handlebars – his new sexual drive.

These two techniques – finding the underlying feeling, and defining the theme – will help understand most dreams.  We must not forget, however, that some of our dreams express a sense of humour and a love of playing with words.  Dr. Hadfield tells the story of an amorous young woman who had spent all day serving ice cream at a fete.  That night while dreaming, she talked in her sleep, ‘No, I have no more cornets,’ she said, ‘but I can let you have a trombone!’ The in and out movement of the instrument suggests what may have been on her mind.

One woman on holiday dreamt a baby pig in a dress ran to her as she sat at a table.  She recognised it as her pet, and wanted to take it home.  But she realised it would grow into a big fat pig if kept.  Her comment on the dream was that while one can safely be a ‘little piggy’ on holiday, if continued at home it could develop into a big fat problem.

10,000 Dreams Defined

Calvin Hall, who studied the content of. 10,000 dreams, is certain they reveal a truer image of ourselves than we can usually admit consciously. They also show us which habits or attitudes stand in the way of fuller relationships and creativity.  If we give our dreams a small measure of the attention we lavish on television entertainment, undoubtedly our own life would be enriched.  Perhaps, like Einstein, we might also enrich the lives of others from our dreams. See Dream Journal

Creative Dreaming and Problem Solving

Few dreams are, by themselves, problem solving or creative – even so, most dreams, especially nightmares, are attempts to deal with our psychological or spiritual problems. The few exceptions are usually very clear. Also, when they occur, the problem solving can apply to a wide range of human experience. For instance the problem might be a personal or psychological one; it might be a mathematical problem, or insight that produced a creative idea, thus solving a problem to do with questions being asked or something being attempted. These first two examples illustrate how a dream can resolve a psychological problem.

Example: ‘My mother in law died of cancer. I had watched the whole progression of her illness, and was very upset by her death. Shortly after she died the relatives gathered and began to sort through her belongings to share them out. That was the climax of my upset and distress, and I didn’t want any part of this sorting and taking her things. That night I dreamt I was in a room with all the relatives. They were sorting her things, and I felt my waking distress. Then my mother in law came into the room. She was very real and seemed happy. She said for me not to be upset as she didn’t at all mind her relatives taking her things. When I woke from the dream all the anxiety and upset had disappeared. It never returned.’ Told to author during a talk given to The Housewives Register in Ilfracombe.

Example: I was lying in my bed and a man was beside me. Gradually he got older and older until he was dead. Then he became a skeleton in bed beside me. I felt horrible. When I woke there was still some difficult feelings but these went. I realised that things, emotions, troubling me for ages had all been cleared. Previously at church the vicar had talked about the healing of forgiveness, and in some way this had happened while I was dreaming. Now, quite a time after the dream I am still in the state of ease. Stephanie – Chester

Although in any collection of dreams such clear cut problem solving is fairly rare, nevertheless, the basic function in dreams appears to be problem solving. The proof of this lies in research done in dream withdrawal. As explained in the entry science sleep and dreams, subjects are woke as they begin to dream, therefore denying them dreams. This quickly leads to disorientation and breakdown of normal mental functioning. Therefore, a lot of problem solving is occurring in dreams even though it may not be as obvious as the example.

Example: I can see, from my past behaviour, I have always needed something to fight. I create a fear, then struggled to combat it. If I haven’t got a problem I will create one. I get a feeling of strength from solving problems. I want to be a hero.

This feature of dreaming can be enhanced to a marked degree by processing dreams and arriving at insights into the information they contain. This enables old problems to be cleared and new information and attitudes to be brought into use more quickly. Through such active work one becomes aware of the Self, which Carl Jung describes as a Core, but we might think of it as a synthesis of all our experience and being. Gaining insight and allowing the Self entrance into our waking affairs, as M. L. Von Franz says in Man and His Symbols, gradually produces ‘a wider and more mature personality’ which ‘emerges, and by degrees becomes effective and even visible to others.’ This is of course a very subjective event, yet it has obvious practical results. The person arrives at a greater social connectivity through it, and this usually results in marked changes in the opportunities life presents them. See Street Wisdom; Techniques for Exploring your Dreams

The function of dreams may well be described as an effort on the part of our life process, to support, augment and help to mature waking consciousness. A study of dreams suggests that the creative forces which are behind the growth of our body, are also inextricably connected with psychological development. In fact, when the process of physical growth stops, the psychological growth continues. If this is thwarted in any way, it leads to frustration, physical tension, and psychosomatic, and eventually, physical illness. The integration of experience which dreams are always attempting, if successful, cannot help but lead to personal growth. But it is often frozen by the individual avoiding the ‘growing pains’, or the discomfort of breaking through old concepts and beliefs. See Individuation

Where there is any attempt on the part of our conscious personality to cooperate with this, the creative aspect of dreaming emerges. In fact, anything we are deeply involved in, challenged by, or attempting, we will dream about in a creative way. Not only have communities like the American Indians used dreams in this manner – to find better hunting; solve community problems; find a sense of personal life direction – but scientists, writers, designers, and thousands of lay people have found very real information in dreams. After all, through dreams we have personal use of the greatest computer ever produced in the history of the world – the human brain. But if we are so afraid of our emotional responses, our creative self is made inactive.

Example: Then the throat pain became unbearable. I investigated it and I became aware of doom. If I didn’t fight it, doom would take over. I was weary of fighting it so I let doom take over and sank into the doom and it was then that I found myself at the foot of the great being and total acceptance of my life. Spontaneously, before I knew it I was offering everything as a sacrifice, including past mistakes and cock-ups, and that I had to do this. And then there were the images again of clefts: the earth, female genitals, undersea-ocean crusts opening and something, as yet formless, emerging. This, I suspect, is my creativity in the world. Sylvia

In Genesis 41, the story of Pharaoh’s dream is told – the seven fat cows and the seven thin cows. This dream was creative in that with Joseph’s interpretation it resolved a national situation where famine followed years of plenty. It may very well be an example of gathered information on the history of Egypt being in the mind of Pharaoh, and the dream putting it together in a problem solving way. See: The dream process as computer; Prayer and Dream Interpretation.

1. In the June 27, 1964, edition of the San Francisco Chronicle, golfer Jack Nicklaus described how he had fallen into a bad slump. Despite intensive analysis of what could be wrong, he continued to do poorly. He then experienced a dream in which he was holding his golf club differently and swinging perfectly. He told the newspaper reporter, ‘When I came to the course yesterday morning, I tried it the way I did in my dream and it worked. … I feel kind of foolish admitting it, but it really happened in a dream.’ After the dream, his scores improved rapidly.
2. Dana Cushing, an acquaintance of mine from Boston, has made a hobby of riding old-fashioned, high-wheeled bicycles. After he bought his first one, he spent about three months repairing it. During this interval, Dana had several dreams in which he joyously rode this velocipede. He was surprised by this because he had never actually ridden one in his waking life. When the repairs were finished, Dana discovered that he was able to successfully ride his velocipede on his very first attempt. It seemed as if the ‘practice’ sessions in his dreams had enabled him to achieve waking mastery of the complicated balancing skills necessary for such a performance.
3. From Oxford Book Of Dreams – Before the Coronation [of King Edward VII] I had a remarkable dream. The State coach had to pass through the Arch at the Horse Guards on the way to Westminster Abbey. I dreamed that it stuck in the Arch, and that some of the Life Guards on duty were compelled to hew off the Crown upon the coach before it could be freed. When I told the Crown Equerry, Colonel Ewart, he laughed and said, ‘What do dreams matter?’ ‘At all events,’ I replied, ‘let us have the coach and Arch measured.’ So this was done, and, to my astonishment, we found that the Arch was nearly two feet too low to allow the coach to pass through. I returned to Colonel Ewart in triumph, and said, ‘What do you think of dreams now?’ ‘I think it’s damned fortunate you had one,’ he replied. It appears that the State coach had not been driven through the Arch for some time, and that the level of the road had since been raised during repairs. So I am not sorry that my dinner disagreed with me that night; and I only wish all nightmares were as useful. William Cavendish-Bentinck, Duke Of Portland, Men, Women and Things, 1937
4. William Blake dreamt his brother showed him a new way of engraving copper. Blake used the method successfully.
5. Otto Loewi dreamt of how to prove that nervous impulses were chemical rather than electrical. This led to his Nobel Prize.
6. Frederich Kekule tried for years to define the structure of benzene. He dreamt of a snake with its tail in its mouth, and woke to realise this explained the molecular formation of the Benzene ring. He was so impressed he urged colleagues, ‘Gentlemen, learn to dream.’
7. Hilprecht had an amazing dream of the connection between two pieces of agate which enabled him to translate an ancient Babylonian inscription.
8. Elias Howe faced the problem of how to produce an effective sewing machine. The major difficulty was the needle. He dreamt of natives shaking spears with holes in their points. This led to the invention of the Singer Sewing machine.
9. Robert Louis Stevenson claims to have dreamt the plot of many of his stories.
10. Albert Einstein said that during adolescence he dreamt he was riding a sledge. It went faster and faster until it reached the speed of light. The stars began to change into amazing patterns and colours, dazzling and beautiful. His meditation on that dream throughout the years led to the Theory of Relativity.
11. Parkinson, a Bell Laboratory engineer, in 1940. He was attempting to develop an automatic level recorder to improve the accuracy of measurements in telephone transmission. In his dream, he was with an anti-aircraft crew in a gun pit. One of the guns brought down an airplane with every shot. One of the crew members beckoned Parkinson to come closer to the gun and pointed to the exposed end. To Parkinson’s surprise, he saw that the control potentiometer of his level recorder was mounted there. From research based upon Parkinson’s dream, the first all-electric gun director evolved and became known as the M-9 electrical analogue computer. The M-9 was the precursor of guidance systems for later antiaircraft and anti ballistic missiles.

To approach your dreams in order to discover their creativity, first decide what problematical or creative aspect of your life needs ‘dream power’. Define what you have already learned or know about the problem. Write it down, and from this clarify what it is you want more insight into. If this breaks down into several issues, choose one at a time. Think about the issue and pursue it as much as you can while awake. Read about it, ask people’s opinions, gather information. This is all data for the dream process. If the question still needs further insight, before going to sleep, imagine you are putting the question to your internal store of wisdom, computer, power centre, or whatever image feels right. For some people an old being who is neither exclusively man or woman is a working image.

In the morning note down whatever dream you remember. It does not matter if the dream does not appear to deal with the question and it can simple be an image like a photograph. Elias Howe’s native spears were an outlandish image, but nevertheless contained the information he needed. Investigate the dream using the techniques given in the entry Techniques for Exploring your Dreams. Some problems take time to define, so use the process until there is a resolution. If it is a major life problem, it may take a year or so. After all, some resolutions need restructuring of the personality, because the problem cannot disappear while we still have the same attitudes and fears. See: Avoid Being Victims; secret of the universe dreams.

 

The Creative Dreamer

To Use Or Discard

In a sense, no dream in itself is creative. By this I mean that even though a dream may present an entirely new idea, or new energy, it rests upon the person who dreams as to whether they will take up and use the dream contents. Because of this we can liken dreams to the gauges and dials on the instrument panel of a car or aircraft. Despite what the instruments say, the driver can choose to ignore them. While the other extreme is to become so bound up with them, that freedom of will, the sense of experiment or daring is impaired. For if dreams are like the instrument panel, and picture what is going on throughout the machine, and what its relationship with the environment is (altitude, inside and outside temperature, speed, and so on), then each activity by the pilot also changes the instrument readings. The truth of this is easily seen in dreams. Any changes we make through a conscious decision, often entirely change the dream contents and their tone. In other words, the change has not come through doing what dreams have suggested, but following some conscious direction. This is especially true where the outer change influences our feelings, or deals with the basic patterns of our behaviour. Sometimes it is contact with a new friend that triggers this change, or discovery of new ideas in books; or a change forced through the pressure of outer events. For someone who had recorded their dreams but never worked on them, then read and used the ideas in this book, definite dream changes could occur.

Possibly this can be seen in two dreams quoted by G. Heyer in his book Organism of the Mind. The first dream is of a man who was naturally sociable and Outgoing. His interests were in events and outside things. A friend had talked him into practising meditation, however, and he began to look inwards. Here is his dream: ‘I was standing in my house looking out of the window. I saw a garden I had never seen before, and decided to go out and cultivate it. I took fork and pick, and began digging the garden, which was all over-grown. I worked like a navvy. Suddenly I began to unearth live grenades and bombs. I was terrified that these would explode, and I hastily went back into the house.’

This is clear enough. The garden he has never seen before represents his own inner feelings and experience. It is overgrown because he has never ‘cultivated’ that part of his life. He finds that to do so requires a great deal of effort. Also, as the work continues, he becomes conscious of possibly dangerous and frightening emotions within himself that make him wish to give up meditation. This is not a criticism of meditation, merely a description of what we should expect to find and deal with as we progress with inner cultivation. After all, bombs can be de-fused, and grenades let off where they will do no damage.

The other dream is that of a young girl quite opposite to the man. She is shy and introverted. Her life has been much spent in the garden he had never seen her own inner feelings. She decided that she must make a change in her life, and become a bit more sociable and outgoing. She took a holiday at a big hotel, danced every evening, and chatted in the bar. Then she dreamt, ‘I was in the hotel room looking out of the window. As I looked I noticed that the scenery was slowly moving past in a circle. This began to speed up, and I realised it was not the scenery going round and round but the hotel. I became terrified and felt I must get out. I ran down to the entrance, and saw that the hotel was like a huge tree. It was turning round and round being twisted off its roots. I jumped to the ground just before it fell.’

The circling hotel reminds us of the gay whirl of events the girl is now in. It is the merry-go-round, the new ‘circle’ of friends. But this is twisting her off of her roots, her basic character anchorage, her basic self.

These are both dreams critical of the new change or, at least, warning of the stresses it brings. Some outer changes bring the inner self out of the rut it has got into however. A person may be in a constant pessimistic state, which is reflected by dreary dreams. Unexpected outer events like sudden acclaim for their work, or offer of a new job, may make them decide to throw off the pessimism, and their dreams correspondingly change.

From what has been said, and from the analogy between the pilot and his instruments, we can see what the most creative relationship is with our dreams. They are guiding principles; a panel of information about ourselves. This self knowledge can be used constructively or ignored. If it is ignored we must face the consequences, social and internal. For if our speedo shows we are breaking the law, we mustn’t jibe if we get caught. Or if we are out of fuel (energy) we can stop, rest and refuel, or if it is an emergency, press on as far as possible until the car stops. These are decisions the driver has to make. But he can make them a lot more capably and shrewdly if he is watching the instruments.

Therefore, a dream only becomes creative when we take note of it and use its information. The creativity lies in blending our conscious functions of will, decision, focused intelligence, and attention, with the suggestibility, diffused and intuitive intelligence of the unconscious. It is only when the merging of our conscious and unconscious interests take place, that the real creative fire is sparked off. Only the marriage of these two produces the magical infant, or divine child. The dream is only a needle on the instrument panel, reflecting hidden events in ourselves. Will we see them? It is always how we use information that fulfils or dulls us.

Thousands of men had seen oyster shells upon the hills. But it took Leonardo Da Vinci to realise that they showed the land had once been under the sea. The creative spark only comes when consciousness wrestles, struggles perplexes itself with what it sees of the unknown, the hidden, the resistant. It is not enough merely to see. One must also ponder, experiment, suffer confusion. Then the known and unknown mingle and mate, and produce a child. For this very reason, as Blake says, ‘Eternity is in love with the productions of time’, for time reveals the hidden contents of the eternal.

FAIRY STORIES AND MYTHS

Any attempt and success at interpretation or understanding of dreams is a creative act. I have likened it to the mating of the conscious and unconscious, the known and the unknown. In dreams it is often actually portrayed as a marriage. Sometimes one of the partners is black or dark skinned representing the darkness of the unknown; while the other is white, showing the light of consciousness and the known. Even if we do not do anything with the understanding, the interpretation has yet been creative. The mating has produced a child. In other words, we have become more aware of ourselves through the interpretation. Thus the child is consciousness – we have become more conscious – we have grown in awareness! The thing that we now know, did not previously exist as it now does. It was not known in the unconscious. Neither was it known in the conscious. The dream held it in embryo, but consciousness worked on it and brought it into being. The instrument panel is a record of events. They remain meaningless unless the pilot looks at them and interprets them in the light of his knowledge and circumstance. The blending produces more awareness of the situation and how it can be dealt with.

This blending is different to either of the previous factors. Using this knowledge to help us interpret our dreams, we can look around us and see that since the beginning of awareness as an individual, mankind has been attempting to understand dreams. But here I use the word dreams in its widest possible significance. I mean not only experiences of the night, but all the fragrant, half sensed, stumbles towards knowledge; all the hopes, feelings, misunderstood stirrings and urges man has struggled to clarify. All the great religions, all the myths and legends, the scientific enquiries, the classical literature of the world, are all men’s interpretations of their dreams. Music and the arts, poetry, social struggles, are all an attempted understanding of man’s real nature. For we constantly struggle to be and know what we are. If we wish to fully understand our dreams, then we must see that many of the symbols appearing in our dreams also appear in the religions of the world. They appear in art and literature of all times and all nations. And what is so striking is that when we review Hercules’ labours, or Odysseus’ quest, or Mithras’ slaying of the bull, or Christ’s baptism, or Shiva’s relationship with Shakti, we see that the heroes are struggling with things of our own dreams. The only difference is that in the great legends, myths and religions, the hero has arrived at a conclusion. Hercules procures the golden apples; Odysseus brings home the golden fleece; Christ reaches eternal life, and so on. While in our own dream series, we are still struggling with serpents, or unable to face the lion-headed giant caterpillar, or get past the disgusting man. It is therefore obvious that we can learn how these other heroes (for we are the heroes of our own dreams) have won through. What have they done to pass through their own social and inner difficulties as symbolised by the monsters and trials of their adventure?

The important thing about these religions and legends is that they are dreams plus consciousness. In other words they are the creative expression that arises from dealing with the unconscious or unknown in the right way. The reason I have gone to great lengths in explaining all this, however, is because through proper study of them our own dreams become more understandable. Also, in seeing how difficulties have been met, we find possible means of dealing with our own problems, outer and inner. This is why religions and legends have stood the test of time, much to the consternation and plain disbelief of the purely intellectual, who knows nothing of his own inner processes.

To give two brief examples of what can be gained from such sources, two well known parts of our heritage will be explained from this point of view.

Generally speaking, outside of the Catholic faith, the image of the Virgin Mary is smiled upon. Even where critics point out that many older religions also had virgin deities who gave birth to a holy child, they still often fail to see its significance as far as mankind is concerned. This does not mean, however, that a few with understanding have not openly pointed out that the Virgin Mary represents an active principle in every person. Literally, every person can turn to the Virgin Mary for help. But let me explain. Seen as dream symbols, the members of the holy family keep their historical religious significance, but they also gain a personal, inner significance to the man outside any religious beliefs. Mary is said to have conceived from the Holy Ghost and given birth to Jesus, son of God. Joseph is said to have originally doubted and questioned this. but in a dream was assured of its truth. Now, let us look at this just as we do a dream, and see what results.

MARY She is said to talk directly to angels, and to be a virgin. From this we can see that Mary represents the intuitive, receptive part of our own nature. Our feelings, our own virgin nature (i.e. that part of us not interfered with by thoughts, doubts, fixed opinions, biases and pre-conceived ideas) is open to new ideas, new opinions, new feelings. The Holy Ghost is invisible yet expressive of God. That is, it is an unknown part of us, that yet expresses the energy of our whole nature, or the energies that brought us into being. So Mary conceiving from the Holy Ghost means that our own state of receptivity, of freedom from bias and prejudice, of ‘pre-conceived’ ideas, can receive parts of our nature that are as yet unknown. This is really only common sense. No new idea comes to any man with a closed mind and heart. No discovery is ever made by a person who believes they already know it all. To receive the new, we have to have at least a part of our mind ‘virginal’.

JOSEPH He questions and doubts. So Joseph represents that part of oneself that always questions and doubts the new, the seemingly irrational, the intuitive side of us. He has to sleep and dream (become unconscious) to contact angelic – intuitive wisdom. Therefore we can say Joseph represents intellect, fixed opinions, revealed knowledge. He is a builder or carpenter. This signifies that he uses ‘dead’ or visible – that is, known ideas and facts – to build his opinions with. When men believed it was a fact the world was flat, and united this with the idea of sailing to the West, the result was the opinion that the ship would topple over the edge of the world. Even today we have to admit our knowledge of things is only partial. Therefore we have to beware of only building with the known. We must also be sympathetic to Mary, the receptive and intuitive, that ‘gives birth’ to the unknown and invisible.

JESUS He is not the son of Joseph, the intellect, but of God, the inner Self, the thing behind all creation. He is the creative being who arises from a union between the conscious and the unconscious. He is the Redeemer. That is, the unity between our Source, and our Consciousness, can lead to a consciousness of our source. The energies that make us a breathing thinking being, although changed at death, nevertheless still exist. As science has shown, no energy is ever lost, only changed. The symbol of Jesus suggests that through the union of conscious and unconscious, the products lead us back to an awareness of our source. As this source is eternal, our awareness of it means that we are not lost in death, but our consciousness has now gone beyond the Outer, changeable part of our nature. Christ is therefore a redeemer because it is inherent in his nature, as a son of one’s Source and conscious life, to redeem the limited awareness of self into a realisation of one’s eternal basic nature.

Christianity is for many a huge confusing organisation, to which one outwardly either gives, or does not give, allegiance. I hope it is plain from what has been said above, that as far as our unconscious is concerned, and whether outwardly pledged to a church or not, each one of us has the Holy Family within us.

Turning to a non-sectarian type of reference, however, we see that a similar theme is followed. It is hoped that the story of Sleeping Beauty is known well enough not to need retelling here. To shorten what would be a very long commentary the story will only be dealt with from the time of the Princess’s sleep. Taken as a dream, we see that due to events, a beautiful and sensitive part of us has gone to sleep, or become unconscious. As this part, like memories of early childhood, dropped into unconsciousness, all its attendant faculties, symbolised by the court, are also lost to our conscious knowledge and direction. Being young, beautiful and virginal, the Princess is a similar figure to the Virgin Mary. But in the story she does not conceive from the invisible, but falls asleep due to a self-centred, evil, plotting, malicious attitude represented by the witch. Therefore she has to be interpreted differently due to story content. We see her then, as the beautiful, loving and happy side of our own soul or inner self.

If we have had a reasonably happy childhood, and have been lost in the feelings of timelessness, wonder and intimate participation of simple events that children experience, we see the Princess as representative of this part of us. We also see that this beauty went to sleep when we were about sixteen (or even as early as nine in the face of contemporary cities and standards). Then we could no longer live in timelessness, or see the wonder of a leaf blowing down the road, or enter completely into a stickleback in a stream. All the attendant faculties of this part of us also slept – are sleeping.

Thus the interminable hundred years pass – the great length of time, of living in the world of time, passes, before the Prince hears a legend of the Sleeping Beauty. But what is this legend, and who is the Prince?

If, in reading this book, you have for the first time discovered the ideas relating to an unconscious, hidden part of you, with its promise of greater love, wisdom and beauty, then you have just heard the legend. But you have not heard the legend unless feelings have stirred in you telling you there is a ‘sleeping beauty’ to discover. The legend is the dim, subtle, difficult to prove feelings and hopes within us, that suggest a greater beauty sleeps and can be found. The legend is those hopes that tell us there is more in life if we would only search for it. It is a legend because most people believe there is no truth in it; a story fit only for children. While the prince is our conscious mind, our intellect and worldly experience, that feels incomplete, that knows a longing for this ‘other half. He is more than just our ‘conscious mind’ however. He is a particular state of consciousness; for he dares to search for a Myth. His longing, his incompleteness makes him brave, ready to test the truth or falsity of the Legend. He is certainly not an indifferent consciousness, who stumbles accidentally on the Beloved. He has to cut his way through the terrible briars and thorns surrounding the hidden castle. In these brambles others have been lost and died, for they are all the confusion, pain and ignorance that surround and hide our own ‘Sleeping Beauty’. To reach her we have to face, to experience, to cut through this hedge of ignorance, fear and cynicism that has grown around our own happiness and completeness.

But the Prince breaks through, and stands in amazement at the sleeping court. Then, finding the Beloved of his quest, he kisses her awake, and the court wakes also. So, when we dare to face the attitudes of mind, the events, the pains and fears that have cut us off from wholeness, then we enter our innermost self and find how much of us has remained alive yet asleep; in us yet unconscious. Kissing with our consciousness that which slept and was unknown, it comes into our awareness and awakens in us. Then they marry and live happily ever after. For when consciousness unites with its source, it finds completeness and happiness, and eternal life.

This interpretation may give a slightly false impression unless a further comment is added. Namely, it would appear that the princess has to go to sleep in us so that the critical intellect can develop. When this development has taken place, then the two aspects of self, the rational and irrational can marry.

It may not be immediately apparent how helpful the information hidden in fairy stories and myths is. As one faces the elements of oneself through dream interpretation however, such information is of enormous value. An attempt to understand something of the symbolism of the Greek Myths – The Gospels – Fairly stories such as Beauty and the Beast – Snow White and the Seven Dwarfs, and the other classics, can be of enormous benefit. But it is possible that they only begin to make sense when we face similar issues in ourselves.

Some dreams are rather like fairly tales, also, possibly because both arise from the same source. But a fairy tale is usually a worked on’ or ‘interpreted’ dream. A dream seldom carries its issue to such a well worked conclusion as a fairy tale. That is why fairy tales can often help us to see what possible issues our dreams are leading to.

CREATING OUT OF THE DREAM

Once we realise that fairy stories, myths and religion are ‘worked on dreams. we can create our own Legend and our own Religion!

Possibly this needs some explanation to avoid misunderstanding. If we accept Jesus or Mohammed or Buddha as historical personalities, their uniqueness rests upon the fact that they demonstrated in their everyday lives what they saw within themselves as truth. They lived and were true to their deepest feelings. As far as dream analysis is concerned, they had completely come to terms with the outer world, and their own world of instincts, feelings, sexual drives and so on. If we think of life as a creative act, like painting, then we see that what a great artist expresses on canvas, these men expressed in everyday living. Their life was their canvas. The heaven that they had found was expressed in their daily life.

What I am trying to say is that what we find and understand in our dreams, we can express outwardly in acts, or in art. This aspect of dream interpretation has already been mentioned, but not in detail. As it is so very helpful, a little more explanation will be given.

Therefore, let us take as a starting point the act of writing our dream. Then let us see how, once we have spent time on interpretation the dream can now be re-written. In the first place it is a product of the unconscious. In the second version it becomes a unity of conscious and unconscious. Here is the dream:

‘It was Christmas morning when I had this dream. I had actually woken up and wondered if I ought to get up and see if the children had got their presents. Then I must have fallen asleep and had this dream. I dreamt I woke up. The light was on in the bedroom, and I looked towards the bedroom door, which was ajar. It was dark out there, but a shaft of light went out from the room through the open door. In this half light I thought I saw a movement. This caught my attention and I stared intently. The door was now open wider and it was no longer dark outside the bedroom. I could now see that it was a small white mouse that moved. It was walking towards the children’s bedroom. We were all staying in a friend’s seaside holiday cottage at the time. I asked my wife what a white mouse was doing in the house, and thought maybe it had been a pet left by a previous holidaying family. Wanting to catch the mouse I got out of bed and went towards it. As I did so I saw that it was not just white, but shining, very beautifully. It also seemed to grow larger. First to the size of a rat, then to that of a cat. I was now close to it and it looked enormous; shining with an inner light, white and radiant. It was a thing of beauty. Its eyes especially struck me; pink but also shining.

‘Turning round to tell my wife about it, I suddenly realised that it was not the mouse that had increased in size, but I who had got smaller. I also saw what at first I thought was my wife, also diminished in size to that of a large doll, sitting on the end of the bed. I waved to her. It was not my wife, but a tiny girl, very lovely with long curly brown hair to her shoulders. She waved back and I woke up:

Without trying to interpret this dream ourselves, we will follow the course of thoughts taken by the man who dreamt it, that led up to his re-writing it. First of all he could not understand any of its symbolism. Yet it was so impressive, almost visionary in impact, that he kept trying to understand. Not getting any ready made answers he tried association of ideas on the symbols. This led him to realise that the waking up meant that he was ‘Waking up’ to something. What he was waking up to was presumably symbolised by the lighted bedroom and the obscure movement. Something was moving in the house – in himself. At first it was only a hint of movement. Was something stirring in himself? He wasn’t sure. The fact that it was a mouse, and shining, he could not interpret at all. His relationship with his wife was changing, maybe it had something to do with that, he couldn’t tell; and that was as far as he got for some weeks. He still persisted in thinking about it, however, and suddenly he saw the meaning of his decrease in size and apparent hugeness of the mouse. He had been pondering it and remembered that Alice in Wonderland had also shrunk. This did not explain anything until suddenly he saw that in his dream the mouse had remained the same size. It had only appeared huge because of his changed relationship with it. He then saw that anything within him could remain unnoticeably small unless he approached it in the right way. Then, what had seemed unimportant could become huge. For instance, one might have feelings of love for one’s wife, but not think them very ‘great’. If she died, however, these seemingly small feelings could assume giant proportions. So he saw that through a different attitude of mind to things within himself, they could be made very big. He had often, for instance, turned away from his own ideas and experiences, preferring to trust greater authorities’ than himself. He now saw that these greater authorities originally had no more experience of things than he had. But each new idea, each new thought or concept they had received had been treated as great or possibly valuable. They had thus expressed their ideas and become accepted, while his own ideas were treated as little inconsequential things.

Again, this was as far as he got with the dream until he talked with his friend Velta Wilson about the symbolism of the shining mouse. She said that a mouse in fairy tales and mythology often represents the soul, or inner feelings. While anything that shines with an inner light symbolised the innermost self, the energy behind our life, the spirit or eternal part of our being. This opened up a whole new world of meaning for him. A mouse is something that often lives in a house unknown. It symbolises a part of himself only glimpsed before. It was tame, not wild, and it connected him with his central being, or spirit. It had been ‘lost’ by a previous ‘holidaymaker’. When one is on holiday, one ‘relaxes’ and ‘lets go’ of the many demands that press upon one. At such times we often glimpse parts of our nature, of desires and hopes, that were previously hidden and pressed back. Very often, we do not wish to return to the workaday world, because it is really something we force ourselves to do. We probably do not really like our work. Or else we do not like it under the pressure with which it is forced upon us. So we glimpse or see other parts of our nature, that on returning to work are lost or forced away. The dream is saying that a previous holidaymaker, or period of relaxation, brought the mouse and lost or left it. He saw a new part of himself that linked with his innermost being, and lost it. Now it is glimpsed again, and re-found. What the mouse represented to the dreamer is difficult to explain outside of his own words in the following story. But possibly we can call it a non-grasping attitude to life. Also a realisation that with all our thinking and striving, does this tell us who we are? In attempting to put it all into words, however, in a meaningful way, he hit upon the idea of the story. This, when it was written, greatly satisfied him. It brought all his inner feelings about what the mouse meant into focus. The story also continued to be a help to him in remembering and living what the attitude, the mouse and his relationship to it symbolised. Here is the story.

The Shining Mouse

There was once a time, and there always will be, when a man lived alone in a little house. He was really quite happy, because the house had most things he needed in it. It had a number of rooms, a cellar, five windows, and all that went with them. He never really went out of his house, but he often watched people out of his windows. This didn’t seem to bother him too much, because he managed to get all that was necessary; but he did feel lonely sometimes.

It was during one of these times of loneliness that he first heard the noise. It was not a noise he could really describe and say, ‘Ah yes, that’s running water,’ or, ‘Of course, it is the fire crackling.’ No, it was just a faint noise that set him wondering what it was, and where it came from. He had just been thinking that he really didn’t know what to do about his loneliness when it occurred. He got up and looked all through the house and out of the windows, but could find no trace, for there didn’t seem to be anything about that would cause such a noise.

After that he began to hear the noise quite often, and he used to make himself quite ill trying to think what it was. Or at least, he would think so hard he would get a headache and not eat his tea.

Well, this went on for a long time, and he was getting headaches all over the place, till one day he thought, ‘This is silly, I don’t know what the noise is. I have looked everywhere and can’t find out where it comes from. And if I don’t know what it is, or where it is coming from, how will thinking about it help? All I get is headaches.’ So he gave up trying to figure it out and began to eat his tea again. The strange thing was though, that the same evening, while he was sitting by the fire darning his socks, and eating his tea of brown bread and honey, he saw the noise.

I know that sounds silly, and one doesn’t see noises, but what I really mean is that he saw what had been making the noise all along. As I said, he was sitting by the fire, really not thinking about the noise, when out of the side of his eye he saw something shining in the corner of the room.

It was a little shining mouse as bright as sunlight, yet not casting any shadows. It was brilliant, yet you could look straight at it without being dazzled. Now, as soon as he saw the shining mouse he didn’t feel lonely any more. He didn’t mind darning his socks; which had always seemed a tiresome job; and he didn’t even mind eating brown bread and honey instead of cream cakes. In fact he didn’t seem to mind anything any more. He even thought of asking somebody in for tea one day. Maybe not straight away, but it was an idea.

You see, this all came over him in a flash. You know, like when you trip over, wonder what’s going to happen, then manage to stop yourself falling, and lots seemed to have happened very quickly. Well, it was like that. Seeing all this very quickly he thought, ‘I must have the shining mouse!’ and he ran to it to catch it. But something very strange happened, for as he ran to it the mouse got bigger and bigger. At first it was the size of a rat, then of a cat. Then it was as big as a house, and then as big as the world. The man was so startled by this that he stopped and looked around, only to see that it wasn’t the mouse that had got bigger, but he who had got smaller. Then he looked back, but the mouse had disappeared, and he was his normal size again in his room.

It had gone – almost as if it had never been there. Not even the noise that its shining made was there. For a little while at least he carried on darning his socks without minding. He ate his brown bread and honey without thinking, ‘I wish I could have cream cakes. I have brown bread and honey every day.’ And he carried on thinking vaguely about inviting someone in for tea. Then it gradually wore off, and he hated darning socks, he longed for cream cakes, and he didn’t think about inviting anybody in for tea, at any time.

So the days passed, and he wondered about the mouse. ‘It must be a magic mouse,’ he said to himself. ‘If only I could catch it I could do all sorts of wonderful things with it. Just think! I would always be happy. I could set my heart on anything and do it without being put off by being lazy, or doubtful or anything, I could show it to other people as well. It would make the troubled happy, the sick well, the unloved lovely; and I would become a very important man, and be thought of as very clever. Just think of that! People all over the world would want to come and see me!’

This time it wasn’t headaches he had, but sleepless nights. All the time he was wondering how he could catch the mouse. It became so terrible for him that he even set traps to catch it alive. Nowadays he often heard it, sometimes even saw it, but it always managed to elude his grasp.

In the end he became desperate. He took his chopper and began knocking holes in the walls, chopping up floorboards, poking about in the cellar, and moving everything upstairs; which made an awful mess, because some of it had got so dirty over the years. He ate hardly anything. He didn’t sleep very much, or wash, he just tore the house apart. But, oh dear, he couldn’t find that shining mouse. He couldn’t even find its nest or dwelling place. And then suddenly he began to cry. He really did cry; and the tears made white streaks down his face as they washed the dirt off. Then he fell asleep and had a long rest.

When he woke up he saw how his greediness and desire for fame had made him almost destroy his house. So, slowly he began to repair all the damage he had done, and clean up all the mess. In the same way that he had given up thinking about the noise, he now gave up trying to find the mouse. He was just so pleased to know it was there at all, and to see it occasionally.

And do you know what? Because he no longer chased it, that little mouse became so tame it slowly began to be about the house most of the time. When I last heard, it had started eating brown bread and honey for tea. He is the happiest man in the world.

So, if ever you are invited to tea by a man who doesn’t mind darning socks, or eating brown bread and honey for tea every day, just ask him if you might have a peep at his shining mouse!

It is interesting to see how such stories follow a similar type to fairy stories. Also, they usually express themselves again in symbols, or at least, in relationships, that amplify the dream, expressing its meaning. In this case the house is the man’s inner self. The rooms are his different feelings or functions. The windows his senses, cellar his unconscious, while the noise is his realisation of something that is missing from his life, realised because of his loneliness, and so on. The difference between this and a dream, however, is that the dreamer is conscious of the meaning of the symbols used in his story; while the symbols of a dream may need a lot of digging into oneself to understand. The story also extends the dream, explains it, carries it forward to conclusions. But it is not suggested that one use this method, or attempt to use it, on all dreams. There are only certain dreams which really lead to this easily. These we can call big dreams; those full of meaning, that do not just cover present difficulties, but offer wisdom about life in general. While some people may never find they can work on a dream in this way at all, if it is possible, it brings into focus things that have a very strong influence on the dreamer’s conscious life.

As for how one goes about writing such a story from a dream, the attempt to explain the interpretation to oneself in simple terms is all that is basically necessary. We then look for symbols we consciously understand, and let the events dictate how these symbols interrelate. Therefore, if I realise that a dream has told me I have been pig-headed for years; and it tells me the cure lies in allowing my sympathy and love to influence my opinions and emotions, a story already emerges. There was once a man who had grown up to be terribly ugly. Adults found him awful to look at, but children would run from him screaming with fear, for he had a head like a pig. The older he got, and the more he saw how people disliked him, the stronger became his desire to look like other people. One day he was walking through the woods in despair, lost and not knowing which way to turn, when he met a little peasant girl. She was dressed very simply, and although plain, was somehow lovely to look upon. But then the man approached her and she saw him, and although she gasped with surprise, she did not appear to be frightened or run away. When he told her his, plight, she took pity on him, and took him back to her house.’ etc., etc. The girl is sympathy, who the pig-headed man meets in his own depression. She is self-sympathy, his own feelings of being sorry for self, taking pity on self because of his plight. But if we continued the story, the man would learn from self pity that others have similar burdens, and his sympathy and pity be extended outwards, and his head become normal in unselfishness.

In writing such stories about what we have learnt from dreams, we clarify our inner situation. Through turning the parts of ourselves into symbols, we can also see how they relate to each other. We can therefore definitely class this as a means of interpretation, and also as an art, an expression of ourselves.

DREAMS AND POEMS

A number of people dream poems or prose. Samuel Taylor Coleridge dreamt his poem Kubla Khan. Unfortunately, he was only able to write down a portion direct from dream memory. He was then called out of the house and forgot what followed, and had to write the rest of the poem in the usual manner.

The following poem was also dreamt by a man, and remembered m full.

My dear, when I am gone think of me sometimes with a prayer. Make that prayer like a homely room that one can enter, full of memories like books against the walls, that one can open and read; with pictures in of things we did together. Carpet the floor with words of love I spoke, like falling leaves to make your pathway easier. For light, sort out the wisdom from my follies and use that. There will be warmth enough; for burning there upon the grate will be my feelings for you, like hot coals. And in that warmth, and in that flickering light, among those books, love me a little and remember, that I gave you the heart of a man.

As can be seen, this does not lend itself easily to interpretation as it is a direct expression of feelings. But usually poems in dreams either instruct one in a new idea, or conjure in a few words the essence of the dream. In the form of instruction, one dreamer had the words, ‘Each life is a gap in eternity,’ which had very deep meaning for her. It was like being told that her conscious life was only a fragment of her total self. The self she knew was but a part of her awareness, lost in time, a short forgetting of her eternal nature to experience the problems of individual life – a gap in eternity. The same woman had another dream that is illustrative of words, poems or prose catching the essence of the dream. She dreamt that a community of people were looking for God. They had decided that someone amongst them should be chosen as a mouthpiece for God. This would mean that the spirit of God would possess the person and talk through them. Therefore they were trying to choose someone who was most worthy and pure for this task. As they were trying to decide, a man amongst them stood up, obviously under the influence of spirit. This was a shock to everyone, as he was not a person they would have chosen, being rather uncouth. Then he began to teach them under the direction of spirit; and the words the dreamer remembered were ‘The vessel God chooses is worthy, the cup God fills is pure.’ In the dream the woman felt that it was God’s choice, not the people’s, while the sentence meant that whoever is chosen is thus purified by the spirit.

But the reason we are dealing with poetry here is not because it is a part of dreams, but because of the manner it can be used to aid interpretation. Just as stories and fairy stories can express more clearly the difficult part of a dream, so also poems and prose can sometimes help to express the incommunicable. In his book The Living Symbol Gerhard Adler quotes the poetry of a woman patient. She suffers from claustrophobia, and is seeking help. In the poem she tries to describe the anxiety and experience of her problem.

She writes:

The lightning strikes the granite peaks;

They cannot writhe, they cannot scream.

Their wounds bleed stones; their helpless rocks

Roll grinding in the glacier stream.

All night a mad, malignant wind

Buffets the ridge with blow on blow, And from the high tormented crest

Draws out a shrieking plume of snow.

The bridge of logs is swept away,

The path stops short on the moraine

At that black gulf where nothing lives

Except the nights’ inhuman pain.

No voice, no face, no living soul –

Only the two of us are there:

The eye looks at the Wilderness,

The Wilderness returns its stare.

The poem is still in symbols, but nevertheless bridges the gap between intellectual understanding and pure feelings. As Gerhard Adler points out, it illustrates the patient’s problems extremely well. Her intellect, represented by her ‘eye’ has only a painful, fearful relationship with the Wilderness of her natural forces, emotions, instincts, etc. The snow and the rock, beaten by the wind and water, can also easily be seen as her hardened or frozen feelings and emotions, battered by nature’s moving forces of growth and continual change.

Some dreams are difficult to interpret. Several factors lie behind this. It may be a preferring not to know these things because they are painful; we may unconsciously resist the forces of change as the woman does in her poem; or we are having trouble in clarifying an understanding of those areas of experience the dream is dealing with. If we take pen in hand and try to put in words the ‘feelings’ of the dream, sometimes the words will come readily and easily.

It must be understood, however, that we are not trying to become a famous or acclaimed poet. One is simply trying to put into words what is cloudy, obscure and unformulated within oneself. Therefore, in setting out to express a dream in prose or verse, we need not stick rigidly to the dream. To do so may prevent the emergence of the interpretation the poem represents. Remember that it was said interpretation is the dream plus consciousness. One often adds something to the dream to properly understand it. One does not alter the dream, because that is like cooking the books, or twisting the truth. But one can say, ‘That reminds me of this,’ which wasn’t dealt with in the dream, but complements it. Therefore, when we try to express the feelings of the dream in poetry, we have to stick to those feelings, but we can include any related material or images that occur to us as the poem begins to take shape. It may even be that the poem ‘comes alive’ as we proceed, and emerges in its own direction, and this is all to the good. It means that parts of us that have sought expression and consciousness are pouring out.

Not all dreams are usefully rendered into poetry. Often it is quite unnecessary to do so. But sometimes there will be a quality about the dream, a hidden content that we long to grasp, a meaning that we grope for, when a natural impulse will arise to express the dream contents in verse or prose. At such times it is well to follow the urge or the haunting idea.

DREAMS AND PAINTING

Some years ago, a very interesting book was published on dreams and paintings. It was written by a psychiatrist about a young woman who was his patient. She had a bad skin condition, was painfully thin, and suffered other neurotic symptoms. During treatment she showed the doctor a painting she had done of a dream. It was of a bird, a gate, and a winding path to distant mountains. Neither she nor the doctor understood the meaning or symbolism of the painting at the time. All she could say was that the bird wanted to fly to the mountains, but it could not get past the gate. The doctor encouraged her to paint more dreams, and gradually, working on the changing relationship of bird, gate, mountains, colours, and other intervening symbols, understanding dawned. The bird was the woman, the mountains the freedom from sickness, and the gate represented an event in childhood. An uncle had assaulted her near a gate, and the resulting fears and inner situation, prevented her from getting better. As the paintings went on, the woman dealt with the difficulties, and eventually the bird got to the mountains. She was cured.

This, quite by itself, shows how effective paintings of dreams can be in helping to understand a dream. Most of what has been said about stories and poems also applies to this type of interpretation. But paintings often have an even deeper impact upon us than words, even if the words are poetry. By this I do not mean that paintings are greater than literature. What I mean is that any word is only a description which, due to the quality of limited meaning words possess, effects us largely through our understanding of the word. A German sentence might be quite meaningless to an Englishman, and vice versa. But a German painting is beyond the limitation of words, and is as likely to be understood in England as in Germany. A painting, due to its forms and colours, their positioning and relationship, can make us experience or realise things we might find difficulty in expressing with words. If we see a painting of a man holding his injured child, with tears in his eyes despite the strength of his outer appearance, it evokes in us feelings it might take many pages to express fully in words. Also, the picture would be universal, words would not.

Why this is so, is very revealing. It is because the picture is an extension of the actual dream images. It is because a painting or drawing uses forms and symbols to express, just as a dream does. Therefore, when we paint a dream, we bring it to conscious reality. We bring it out into the open to be examined. We also make it secure, hold its images caught within the colours, or the strokes of the pen. Seeing it outside of us in this way enables us to examine it more carefully, and see what the forms make us feel. Just as on looking at the man holding his child, it would stimulate our associated feelings, and we would know them.

Later in the book, under the subject of mandalas and yantras, the idea of painting dreams is taken up again, and extended in its use.

Coded Language of Dreams

The Dream Is A Code

It ha been said that the dream can be likened to a cartoon, which expresses or comments upon a situation by symbols. The dream can also be likened to a strange language, which we have to translate to arrive at its meaning. As Nietzsche suggested, it may be that the dream is our own archaic language, which at one time was the universal thinking process of man. To some extent we can easily see the possible truth of this by a simple experiment. The experiment also helps us in understanding the language of dreams, and thus begins the process of interpretation.

The experiment is simply this – try to think without the use of words! To be more specific, imagine that you wish to tell someone that: ‘What most people call prophecy, if looked at rationally, is usually an unconscious analysis of present events, and our projection of their consequences into the future.

I have purposely given a rather difficult idea to use in the experiment, and it should be done now before reading on. Then one finds, that without words, one is thrown back upon the use of images, symbols, dramatisation and depiction of various emotions. It would be interesting to know exactly how the reader has been able, if at all, to express the given idea about prophecy. But here is how a dream has done it.

‘I was looking into a crystal ball, when suddenly I could see a whole file of men walking along some railway lines. I called John (the dreamer’s husband), and said “Look, there is a picture in the crystal!” He looked, but then pointed behind me, and I could see that what I saw in the crystal was only a reflection of what was actually going on in the street behind me.’

This experiment of expressing ourselves without words, is very important. It demonstrates a number of things necessary in dream interpretation. Firstly, it shows that the dream may be our heritage from the past. It could be the method of thought used prior to hamanity’s use of words. If so, it suggests that human consciousness is stratified, and our present type of consciousness is built over and developed from the older level. It also clearly shows how we link up ideas such as ‘prophecy’ with an object such as a ‘crystal’. The complex idea of the future being a reflection of the present is dealt with by the clever positioning of several images in the dream. The difference between speculative and logical thinking is also expressed by the man and woman.

If we explore this idea a little further, we will quickly be able to see how a dream might be able to use common objects and events in our everyday life. Just as we have seen how a crystal expresses the idea of the future, or prophecy, our favourite armchair could express comfort or our sense of relaxation. To understand such things we have to be careful to investigate just exactly what we do feel or think about such things. For instance, our car is something we use to get from one place to another. It is a vehicle. In a sense, a school is also a vehicle, it transports us from ignorance to knowledge. But if we always feel ashamed when in our car, because it is shabby; then the car used in the dream represents our shame, our desire for better things.

Therefore we have to carefully note what our relationship with the dream symbols is. Our dream may not use our car, but just a car; when it becomes just a means of transport, about which we have no feelings. Similarly, if friends or acquaintances are pictured in dreams, then they are used because of the ideas and emotions we associate with them. Therefore, a friend who is always miserable and unsure of himself, represents our own feelings of uncertainty and misery. The warm emotional friend likewise is a symbol of our own feelings.

Sometimes dreams play on words and symbols together. Thus, if we dream of finding an old leather bag which did not belong to us, unlocking it with a key. only to find rotten and evil smelling food inside, this would be a very caustic comment on our sexual relationships. In effect it is saying, I picked up an ‘old bag’, had sexual intercourse with her, but found it unsatisfying and in the end, distasteful.

Although we have said that the dream may be a pre-language thinking, now that words have been added to our experience, the dream will naturally use them. In fact the dream uses any available material quite without our conscious sense of appropriateness Thus, colours, words, images and feelings will all be collected to express the dream. In most cases, however, we can arrive at the meaning of the symbols through our own associations with them. Of course, many symbols, like the crystal, would be almost universal, but they are only universal because enormous numbers of people have the same, or very similar, associated ideas concerning them. If one’s mother had used a crystal ball to hit one on the head as a child, it would no longer associate with prophecy, but punishment. A look at advertisements shows us how often such symbols are used to quickly convey a message without words. Thus a doctor or nurse expresses healing or sickness – a lightning flash is energy, speed and power – a policeman, law, protection or conscience a shapely girl, sexual or emotional pleasures – and so on.

Very often, the dream picks up a theme from the day’s experiences, and uses it to illustrate some inner condition. The following dream is an example of this. ‘I was looking everywhere for some green stuff to eat. I saw a field of cabbages, but, as they were not mine, could not eat the leaves.’ A couple of days before, the dreamer had prepared a salad for dinner, as it was winter, and the family were getting few ‘living’ foods. So we see that the conscious concern over ‘living’ foods has been used as a symbol in the dream. Thus the search for green leaves represents a search for something of her own that is living. The woman had been wondering what her own personal capabilities in life were. As the dream shows, she will not be satisfied or feel happy by simply taking or copying what others have done, or eating the rewards of their labours.

One last thing about the use of symbols and our attempts to interpret. Some symbols may be used a number of times in different dreams. In such cases, or in analysis generally, we have to realise that a symbol is influenced by the symbols it is grouped with, and the way it is used. To understand this, if we realise that words are symbols of thoughts in daily life, we will see clearly what is meant. As a demonstration of how one symbol (word) can alter its meaning due to context, I do not think I can better the efforts of Leslie Weatherhead when he wrote:

“For instance, in Mesopotamia you might have an officer who had blue blood in his veins and who at Oxford had been a blue. Rarely would he be a blue after dark when the whiskey went round, unless of course he went out on the blue on some stunt or other. Then he might be in a blue funk, and the air would be blue with his language. But in time he would recover from his fit of the blues, get his leave and pay, and blue the whole of the latter in a single day of the former, and he wouldn’t spend it on blue stockings either.”

So when interpreting, although we have to understand each individual symbol, we also have to see that symbol in context with the rest of the dream. Only in this way can we understand it properly.

Listing Of Symbols

If we are working on our own dreams, we cannot simply lie on a couch and let somebody else ask us all the searching questions. We have to be the one asking the right questions, and the one on the couch finding the answers. In other words, we have to know what questions to ask ourselves, and also be able to relax and let spontaneous associations and replies come up. Now that something has been said about dreams in the earlier chapters, and the idea behind association of ideas dealt with, we can actually get down to the dream analysis.

So, we have had our dream, remembered it, and written it out fully. Our next step is to start the interpretation. To begin with, one of the best ways to do this is by listing the symbols. I will use a dream to demonstrate this that is fairly simple. Here is the dream: ‘I was lying in the bed that I slept in whilst on holiday. There were a lot of people round me and I had had a baby. Everybody seemed to be certain that I was going to die, and the child or children I had given birth to had been taken away. I thought that I would die (if I was going to die) when I expelled the afterbirth, but I didn’t seem to mind.’ The dreamer added the comment, ‘I had this dream during a fit of depression.’

‘Holiday bed’ is our first symbol. When this is written down, one must now ask oneself what this idea suggests. Some of the ideas that arose around this symbol are that one talks of ‘making one’s bed, and lying on it’. So a bed can stand for some condition that has been created, that we now have to face, This is suggested by the dream showing that it is the ‘holiday’ bed, pointing to some condition that occurred on holiday. This brought up the fact that just before going on holiday, the woman had received a letter from a friend she was deeply attached to. Part of the letter had so hurt her feelings that she had felt depressed all during the holiday. Here we have the ‘bed’ that was slept in on holiday. The dream is, in fact, pointing to the ‘fit of depression’.

Turning to the next symbol, we can call it ‘a lot of people’. This is associated with two things. It is all the parts of the dreamer’s life that are implicated in her depression. Also, all of those about her, who are likewise influenced. Other parts of one’s life are obviously involved in depression. One might usually he active and creative, writing letters to people, cooking extra treats for the family, etc., all of which are left undone during such feelings of unhappiness. Or at least, not done with the same spirit.

Then we come to ‘the baby’. In real life a baby is a blending of mother and father, and all they represent. A baby is a new thing that has been ‘born’ out of us and the circumstances we are involved in. The dreamer said that due to the pain caused by the letter, a new attitude had arisen to the person who had written it. We can definitely associate this with the baby. It had likewise been ‘born’ out of her present self, and her relationship with her friend. In fact, mystics have always spoken of their pupils as ‘spiritual children’. This usually referred to the relationship between the teacher and pupil. But we can see that the dream suggests a much deeper inter-relationship. When we enter the receptive or sensitive part of another human being, we often leave a seed there that develops into a new baby. a new attitude, an offspring of the relationship between us.

‘Death’ or ‘Dying’ is the next symbol. and in the light of what has already been said is not hard to understand. For with the birth of the ‘new attitude’ to her friend, she certainly begins to feel that her old feelings for the friend are dying. As she still associates herself strongly with these feelings, it is as if she is dying. If on the other hand, she could see that the old feelings are not worth holding on to because they were so susceptible to being hurt, her dream might have shown them as the death of an old friend.

The dream ends with the symbol of ‘the afterbirth’. The placenta is that which links our established body to the new growth. The new always develops out of the old – always builds itself out of the elements, nourishment, provided by the old. In this sense, the afterbirth can be seen as the in-between condition within the woman. She could not have given birth to a new attitude unless she was near to reaching those conclusions. It also suggests those parts of the affair that ‘hang on’ within one, even when the affair is over. Not until these have dropped away will the old die, and the new, more vigorous attitude come into its own.

Therefore, our list of symbols will look something like this:

HOLIDAY BED – when one makes one’s bed, one lies in it. The bed is my depression I felt on holiday. The dream is saying this is my bed. In other words, maybe I made this depression and had to experience it because of my own attitudes.

A LOT OF PEOPLE – All the parts of my nature involved through my feelings of depression, and the Outer consequences of this.

THE BABY – The new attitude that has sprung from my pain.

THE AFTERBIRTH – All the feelings that are still hanging on concerning my hurt.

DEATH – The disappearance or death of my old attitude.

From all that, we emerge with a very comprehensive message and analysis of the situation. Although not a long and complex dream, nevertheless, an enormous amount can be gathered from it. If we think of it as a letter to ourselves from our Self, we might write it out thus:

“The letter from P. hurt a great deal. But I could not have felt that hurt if I had not entertained the feelings about him I did. In a sense, I made ‘my own bed’ by thinking about him in that way. It followed that as soon as he did something that did not fit those feelings, they would be hurt.

Yet the hurt has been a positive thing, as it has ‘given birth’ to a new attitude that may help me see P. as he is, instead of as I wanted him to be. Obviously I am still hanging on to the old attitude, but there seems the promise that it will drop away from me. Then all the old attitude, along with its possibility of being so badly hurt, will die.”

Not all dreams are as straightforward to interpret as that one. Some dreams will be only half understood. Others always remain a mystery. The next dream is an example of a more difficult type. Where so many events and objects come into the dream instead of remaining closely bound in the one scene like the bedroom dream, it usually signifies a more complex dream.

In the dream,

‘A girl had been captured by a dwarf – she’d been in hospital previous to this. He was painting and made her help him, but took all her clothes. He made her help him climb on to a big platform. While he was painting someone came up through a trap door almost underneath her, and was shocked to find her there naked and frightened. He took her away, and he and his wife gave her some clothes – bundled her into them. They kept telling her the best way to get to London; but she didn’t really want to go there and kept protesting. They didn’t listen, thinking they were doing the right thing. They took her to the bus terminus and left her there, having told her several routes to London and suggested she either got a bus or a lift. She wandered around hoping no one would recognise her. All the buses seemed to be going to Black-heath. She went to a refreshment stand; the girl in front of her in the queue had orange squash, and asked “Would chips be very expensive?” She had orange squash and it cost 10d. A shop beside the stall was headed, “Christmas cards not decorations”. She went to a cafe – they were selling peas and Brussels sprouts or rolls.’

It should be explained that the dreamer had not been appearing in her dreams. Therefore we see it all occurring to ‘a girl’. The dreamer also made only these comments on the dream: ‘I suppose the girl represents me, or more likely some part or aspect of me. The dwarf seems to stand for ugliness, cruelty – the outside world? But I am obliged to help it. Rescue comes from below – my rescuer finds this part of me helpless and vulnerable – clothes it, but in the wrong things; helps it, but in the wrong way. From this I conclude that help for this part of me will not come from below. The rescuer offers ways but none of these is the right (acceptable?) way, and this part of me is not even sure it wanted to go on a journey – it only wants to keep itself hidden. I have no direct associations with “Blackheath” – except that it reminds me of Shakespeare’s “blasted heath” and just sounds a rather unpleasant place to go.

With its lack of outer associations, and length, the dream looks like a formidable problem to unravel, although this should not put one off attempting it. Even if only part of it is revealed, it is worth the effort.

Let us start with THE GIRL. In dealing with a dream like this, lacking associations, we have to let the dream itself do much of the explaining. For instance, if one saw a man’s hand holding a beautiful bunch of red roses, with a note attached saying, ‘With love’, would it need associations? In the dream ‘the girl’ is not the dreamer. She has also recently been in hospital. So immediately the images tell us that the dreamer has submitted to a healing regime recently, and also that she does not like to see herself mixed up with the things of her dream. For one usually only disguises oneself or appears incognito, if one does not wish to be ‘associated’ with the situation. In outer life the dreamer had just become really interested in her dreams, and we might tentatively associate this with the hospital or healing.

THE DWARF can also be dealt with by looking at it as it appears in the dream. The dreamer’s associations are not satisfactory because they do not explain the dwarf in this dream context. That is stunted growth – painting – undressing the girl – making her help him to a high(er) platform. Taking the image as it is, it becomes self explanatory. It is a part of her that is faced as soon as she submits to the healing regime. It is stunted growth of creative masculine abilities that need her help to lift it to a higher level of expression. In contacting it, however, it unveils her helplessness; it strips away the clothing of pretence and delusion she had swathed herself in. and makes her see how she relates to it – in fear and trembling.

Put in words of a more understandable nature; each of us, man or woman, has something of the opposite sex in us. The logical, cool, constructive male, underneath has a world of emotions, irrational hopes, intuitions and softness usually only associated with women. On the other hand, an emotional, motherly, illogical woman, yet has within her constructive, logical, creative male characteristics. Joan of Arc is an extreme example of the strength and masculine power a woman can wield when her male qualities blend with her female self. While perhaps Schweitzer, with his gentleness, long suffering, and lovingness, is an example of the male female union. In the dreamer, however, this male creative part of her is stunted in growth. (In psychology this male aspect of a woman is called her animus. The female aspect of a man, anima.) This part of her seeks expression in art, in creativity, but has to force her co-operation by stripping off ideas, hopes, etc. This taking away of her orthodox attitudes frightens her; just as it might any person who, settled in a career that offers regular pay and security, suddenly feels a powerful urge to leave all this and take up some less ‘sensible’ job. Most people are ‘rescued’ from this frightening situation by similar means to the dreamer. Their ‘common sense saves them.

Moving on to the MAN AND WOMAN, we see that they fit this role of common sense, mum and dad, figures. They seem to be the easily shocked parents who try to do their inadequate best for the child. They represent orthodoxy, possibly gained from her parents.

But such orthodoxy ill suits her. The clothing fits poorly; the directions are not aligned with the dreamer’s inner desires. That such help arises from below, further suggests that these are orthodox habits of relationship acquired in childhood from home and school. Habits are notably motivated from the unconscious – we do such things unconsciously – without thinking.

LONDON offers a more difficult symbol. It is, in the dream, recommended by the man and woman, so we can gain a little insight by aligning it with their possible attitudes. The orthodox usually prefer the accepted. the safe, known way of doing things. Therefore, if we think of London as a symbol of the centre of commerce, of worldly pleasure; the direction in which most people go when they wish to ‘make a name’ for themselves. Thus the dream begins to resolve into a representation of an inner conflict between two urges in the dreamer’s life. One is her own creative urge which frightens her because it tends to be unorthodox. This she has held back in growth due to her fear. The other urge is that of the orthodox desire to seek a more ‘sensible’ commercial career or at least, to be more concerned with outer life. As can be seen, this is a difficult decision to make due to the inner circumstances surrounding her own creative or inner nature. We can also see that the dream is concerned with very real problems in life, and with practical affairs. For if the dreamer chooses wrongly, she may remain unsatisfied for a very long time. As the dreamer says, ‘This part of me is not even sure it wanted to go on a journey – it only wants to keep itself hidden.’ This shows how we may prefer not to know about our real inner feelings because of the torment of decision they will require.

That the BUSES going to BLACKHEATH follow this, Is very explanatory of what the dreamer senses the consequence will be. All the buses are going to Blackheath, or ‘blasted heath’. This could be taken two ways, one being that any move to commerce or acceptance of outer instead of inner values would be a journey to a very black situation, or that consciousness of the decision cannot help but lead to a period of black despair. Possibly they are both true.

In regard to the last part of the dream, she says she ‘can make no sense’. I must admit I find this difficult also, made worse by not having been able to talk it over in length with the dreamer. Generally speaking, however, any search for food is a search for nourishment. Food and drink ‘sustain’ us, ‘feed’ us. Thus arose the saying, ‘Feed my lambs’, which in its religious setting means to sustain, to keep strong. the spiritual life of the flock. However, our dream does not have a religious setting. The episode of the refreshment stand follows upon the image of Blackheath and the dreamer’s ‘wandering around’. The feelings that arise from such images, if we place ourselves in them, is that of being lost, not knowing what to do, hopelessness. Certainly in such circumstances we would need sustaining, strengthening. If we ask ourselves how we sustain ourselves in such situations we see that some people use an effort of will, some reason about the situation, some pray, some visit a friend who cheers them up, some withdraw or hide the feelings by entertainment or outer activity. Without the dreamer’s comments on this, we do not know what she did, but the dream suggests that she feels the price may be too high, and buys only the least expensive of sustenance.

The next image in the dream is CHRISTMAS CARDS not DECORATIONS. Again we can only speculate on this due to the lack of associations. The fact that it follows the concern over the cost, may help; for Christmas cards are things we give and receive, unlike decorations which simply belong to us as adornment. So the dream image seems to suggest that if we are to receive help we must not count the cost. It is a matter of giving and receiving, of being willing to part with things, that life and events will bring its own reward. We send a Christmas card because we wish a friend to know we remember him. It is a self expression, not a concern over personal adornment, a making of our house, our self, more decorative. Then the decorations, of other people’s cards come naturally. So in applying this to the conflict, it says that in expressing what is in us, instead of simply worrying about seeing we are ‘decorated’ with security, things naturally come to us.

PEAS – SPROUTS AND ROLLS seem even more bizarre until we see that they all have something in common. They are all round objects. Quite simply, a round thing suggests completeness, the full circle, the whole horizon, an ‘all round’ person. So through give and take we arrive at the condition where we can partake of a more complete, whole sustenance, which will, because of its completeness, help us through the decision. This interpretation may seem far fetched until we see, from analysis of many dreams, that a spherical shape often refers to completeness, integration or wholeness.

However, the interpretation of the dream is far less satisfying than the previous dream. This is because it lacks the comments of the dreamer in saying whether or not these interpretations really apply. It also lacks details about the dreamer’s life that would confirm or deny the conclusions. Nevertheless, it is a good example of how we can get at the possible meaning of the dream symbols if we fail to find helpful associations.

Carrying the dream forward

Imagine yourself in the dream and continue it as a fantasy or daydream. Consider what it is that troubles you or is not what you want in your dream. Now take time to think how you would alter it and how to have an ending that would satisfy you. Not, in your imagination enter your dream and alter the dream in any way that satisfies. Experiment with it, play with it, until you find a fuller sense of self expression. It is very important to note whether any anger or hostility is in the dream but not fully expressed. If so, let yourself imagine a full expression of the anger. It may be that as this is practised more anger is openly expressed in subsequent dreams. This is healthy, allowing such feelings to be vented and redirected into satisfying ways, individually and socially. In doing this do not ignore any feelings of resistance, pleasure or anxiety.

Satisfaction occurs only as we learn to acknowledge and integrate resistances and anxieties into what we express. This is a very important step. It gradually changes those of our habits which trap us in lack of satisfaction, poor creativity or inability to resolve problems.

These are very important steps. They gradually change those of our habits that trap us in lack of satisfaction, poor creativity or inability to resolve problems.

Example: When my husband died, for quite a few times I had this funny dream. I was walking along a field and saw a lot of sheep guiding me, and I followed them. Suddenly they disappeared into a cave. I went in the cave and a row of mummies were there. One was wearing a medallion on a chain round its neck. The dream recurred quite often. One day Tony came to me and I told him the dream. He asked me to sit in a chair and relax, which I did. Then he said for me to go to the cave, and in my relaxed state I went and walked to the mummy with the medallion. Then he said take off the bandage from the top. As I unwound it the face of my husband was uncovered. I screamed and screamed and came out of the relaxation. Tony then said now let him go. I have never had that dream since. Betty E.

Business and Dreams

Although the world of business and the world of dreams are often considered to be incompatible, this is not so. Once one realises that dreams may be the ‘printout’ of the most shrewd and capable computer we have access to, we can see them as a source of useful information.

If you are in business, there is information in your memory, along with considered projects, questions about problem areas, which have never been, and perhaps cannot be put on a computer. Also, there is no computer program outside your own mind that can handle and manipulate all the variables, the integrating of different information sources – written words, feeling hunches, spoken information, personal observation and experience – and then sift through and explore different combinations, and reach into pure creativity by leaping into the new.

Dreams should not be seen as oracles, but if you take their information into account along with your other sources, you will find them a real addition to your business equipment. See: creativity and problem solving dreams.

As for why this is a practical possibility a little information may help to clarify.

Our brain is segmented into what has been defined as three levels. The base level we share in common with reptiles and this deals with our flight and fight, habitual behaviour and sexual impulse.

The level above that is called the mammalian brain, and its technical name is the Limbic System. This is wrapped around the reptilian brain, and is something we share with other mammals such as cats, dogs and horses. It developed about 60 million years ago and deals with your emotions, feelings responses to people and events, the subtler inner life you feel in love and sex, problem solving, and it provides a deep wisdom about social and individual relationships. Dreams often use mammals or apes to portray the influence in your life of this part of your unconscious drives and intuitions.

The action of this brain is largely unconscious, but it does express its enormous insight into people, their body language, social situations, as feelings, hunches and dreams.

So here is one of the aspects of our mental functioning that greatly enlarges our waking assessment of a person or a situation.

There is also a function I have named mega-awareness. It is a mental activity found more often in dreams than in waking. It is an ability the mind has to scan enormous amounts of information at the same moment. We are doing it all the time when we speak and listen to replies. In a flash we scan for possible meanings of the words and the context of them. It happens so fast we usually miss what is happening. But our mind can do that with the millions of bits of information we have gathered, even those bits seen or heard out of the ‘corner of our eye’ so to speak.

What megawareness does is to summarize what it scans, putting together unrelated bits of information in new and creative ways, and our dreams are a major way these insights are expressed. This function can be greatly enhanced by actually pursuing a question and watching for a ‘felt’ or dreamt response. But sometimes the process present things we haven’t asked for because they are relevant to the important situations we face.

See: Using Your Intuition; creativity and problem solving dreams.