Posts Tagged ‘transformation’

Secret of Time and Satan

By Edward Carpenter

Dream Magic

There is a strange and wonderful world in which your most secret wishes can be fully lived. In this world the things you fear take on physical form and do battle with you – yet remain ultimately harmless unless you believe them to be real. It is a world in which magic is everyday occurrence, for you can experience death and yet live on. Here the possibilities of your future are an open door for you to explore. You have many lifetimes in this domain, and are capable of living each one with vigour. Here too, with a thought or desire, you can create a living environment in which you move and play – to act out love, anger, success or failure until you grasp their essence and master them. See Dreams are Like a Computer Game

This living laboratory enables thoughts and emotions to take on their own physical reality as people, objects or places outside of you. Meeting them you live in a universe, a community of beings with which you have an ongoing relationship. Yet it is an apparently exterior world that is but a reflection of your own inner life. Because of this, if you are wise, you may discover in it the sources of your own obstacles in life, and transform them into opportunities. The magical variety of the things met in this world reveal your own impressive creativity. For you are the Grand Creator of all that exists in this special universe of experience. Yet – and here is the jewel of this – you are not imprisoned by all you have made in this world, whether noble or evil, cherished or feared. Not trapped that is, unless you choose to be.

Dreams Express The Full Spectrum Of Human Experience

It is of course the world of your sleep and dreams. A world which encompasses the total range of human experience from the egoless void of dreamless sleep, to the sharply felt pangs of personal fear and identity.

Although dreams and sleep have always fascinated human beings, it is only toward the middle of this century that real scientific breakthroughs were made in understanding them. More recently still, with the development of greatly increased sensitivity in scientific measuring of the brain and cells, dreams have been shown to be an essential part of our learning and creative process. Also, the tremendous area of experiment undertaken by individuals in the Human Growth Movement, not only defined non clinical ways of exploring dreams, but also showed them to be a wealth of information and creative experience. Freud described dreams as being more than the supernatural events or random imagery previously supposed. But his presentation left them as expressions of unconscious repression and symbolism. Today dreams are seen to represent the whole spectrum of human experience.

Dream Consciousness Transforms Your Life

If you drive a car you cannot afford to lack skill. Your life and other people’s life depend on it. However, even if you do not drive a car you are nevertheless the driver or operator of one of the most complex vehicles ever created. It is a vehicle with many functions. It can be one of the most destructive or creative implements, and so needs enormous skill to understand and handle well. The vehicle is your own body and mind.

The essential you – the naked, decision making, responsive spark of consciousness – stands in the middle of myriad flows of energy and influence. Everything from internal urges to eat, mate, be angry, to external influences such as social pressure, music or opportunity, call you to decide or respond. To respond or decide in ways which actually satisfy you takes great skill – the lack of which leads to internal tensions, ill health, frustration, social rejection or lack of recognition, depression and so on.

Because dreams portray the various aspects of your life as external objects, and play out your relationship with them as the dream drama, they are excellent maps to guide decision making. See Drama

The following dream, told by Mo, is an example of this.

She says, “I gave birth to a little girl – Charlotte. I had mixed feelings about this. There was both uncertainty and excitement. I had a strong desire to tell someone about the birth, so telephoned my friend in Australia. She listened to my excitement in silence. I felt uneasy at this, then she said to me “I’ve lost Luke” (her son). He had died a week before. Then I woke with muddled feelings.”

On considering her dream Mo felt the baby didn’t have any obvious connection with a male figure. It was beautiful, healthy and sure of being loved and cherished by Mo. When asked who or what she had lost and mourned for she immediately felt strong emotions because she had ended a ten year long relationship with a male friend and lover. It was then clear the dream depicted what was happening in regard to this. Her love life and sexuality – the baby – were alive and born anew, even without her ex-lover. But her pleasure in this was dulled because a part of herself – the female friend – was still mourning the death of the relationship. This lessened her enjoyment and excitement about the new things emerging in her life. Nevertheless, having such a clear picture of herself helped her steer a more decisive course through her feelings of loss toward her sense of new birth. See A Woman’s Creative Power

Mo arrived at her understanding of the dream by taking each figure or part of the dream and looking at what feelings, memories or information it held for her. Her new baby was obviously an expression of her pleasure and sense of well being.

The friend depicted a sense of loss. When she asked herself where pleasure and a sense of loss could be found in her life, the dream was clear. Therefore, asking yourself straightforward questions about your dream will uncover much of its information.

Not Imprisoned By All The World You Made

We are all born victims of circumstance. But we need not remain a victim.

Your natural response to your environment is to be influenced by it. A disturbing event would stimulate you to feel fear, a calming event to feel pleasure. Your moods are usually influenced by what happens to you. So being in prison would be more depressing than being free. Being rejected would cause more pain than being admired or loved.

Our emotions and feelings about ourselves are like a keyboard that is played upon by people and events. If we are praised or rewarded our self confidence and therefore performance will usually be enhanced. That is fine except it means we will usually depend upon the world to create our moods and our sense of our own value. This makes us victims. We may not be dependent on a drug, but on praise, success, being admired or wanted. Without them we may experience the lows the drug user does on withdrawal. See Avoid Being Victims

As a human being though, you have an extraordinary possibility. This dream of Ed’s explains it.

I was in a prison with several others – all in one cell. It felt as if I had been in the prison for years. I was standing near the bars angry and shouting about the injustice of my incarceration.

As I stood raging I suddenly realised that all my anger was having no affect on the world. I was the only one suffering it. I saw that the peace and freedom I wanted from release I could have now by letting go of my anger. I would then be in peace, and would be free of my own negative emotions. I forgave my judges and gaolers, and a change came over me. In the following years I learnt to drop the other ideas and emotions I tortured myself with. I was filled with joy until my bliss filled the cell. In this way all had a changed relationship. In a strange way I was now utterly free.

The greatest prison of all, the greatest of torturers, is our own emotions and our concepts or ideas – our thoughts. While Ed felt angry and held the idea he had been wrongly accused, he was tormented and trapped – imprisoned in his own thoughts and emotions. To have received a public apology and released would have changed his feelings, but he would still have remained a passive victim of events. Instead he found in his dream the greatest freedom of all – a blissful freedom – the release from his mind and emotions.

Almost every dream you have shows you what world of experience you are creating out of your memories, your habitual attitudes, your fears and hopes. Because of this, each dream can be another step toward blissful freedom. The following dream shows clearly how Emma is imprisoned in difficult feelings.

I’ve had this dream for years. I’m trapped in a long passageway or corridor. I can’t get out. I’m feeling my way along the wall – there is a small light at the end of the tunnel, I can’t get to it. I’m very frightened. I wake up before I get to the end. Then I feel afraid to go back to sleep.

Emma cannot escape by struggling. Her trap is one of the emotions and mind. No matter what helped her create the trap, she can be free by standing out of the particular web of ideas and feelings which weave together to create her trap.

You can gather from each dream how you weave a view of the world which creates either suffering or pleasure. See Secrets of Power Dreaming

Dream Mystery Explored

It can be summed up as remembering the dream; recording of dream; listing of symbols; and association of ideas. It was also seen that symbols must be understood in their right context, or can even be understood because of that context; which is rather like arriving at the meaning of an unknown word because of the way it is used in a sentence. Several other things are mentioned or hinted at while the dreams were being analysed. Some of these are so important or helpful, that they will now be further explained. See –   Techniques for Exploring your Dreams

Main Phases of The Dream

If we look at the structure of the next dream, we see that it can be split into four phases. But not all dreams are as easily broken into the different parts. Some dreams cannot be segmented in this way, while others have far less phases. The next dream is an example of the latter.

‘I had gone to Sheila’s and Uncle Frank’s house at Spearing Road. They had promised I could have a room there, but I found all the rooms occupied and people were sleeping on the floor instead of in beds. Seeing there was no room I turned away and the next thing I knew I was in a train; it had rather luxurious blue leather seats but again was almost full. It contained, as far as I could see, all ladies, and I explained to them that I had been promised sleeping accommodation. Even while I was explaining this and expecting to occupy a length of three seats, I could see they had as much right there as I, and I took the single seat offered still protesting that we were promised sleeping room.

This dream can only be broken into two, or at the most, three parts. That is, the house, the train and possibly, accepting the seat. If this is set out we have a clearer idea what the dream is about.

The House – Searching for living space in a childhood setting. Found ‘no room’ – What have I been looking for in childhood attitudes? Was the ‘promise’ of childhood unfulfilled?

The Train – Exorbitant expectations, annoyance at the fact that these high expectations cannot be fulfilled. This in a setting of getting somewhere – train. Have my expectations in getting somewhere not been as great as hoped for?

The Single Seat – Grudging acceptance of practical offer. Can I see anything of this in real life?

The whole idea of using this method is to take the general events, implications and settings of a dream, and use these as a reference for asking oneself questions.

The Dream Sequence

One of the things that is often overlooked in dreams is what we might call the ‘because’ factor. This factor is fairly noticeable when once pointed out, but difficult to see until much dream interpretation has been done. The because factor also applies in our everyday life, and can be seen when we say, ‘I was waiting for a bus and began to talk to a stranger who was also waiting. Our conversation became so interesting, that after a few minutes we went and sat in a restaurant, letting the bus go, because we had so much in common. Before he went he gave me his card because he wanted me to contact him again. I could see from what we had spoken about, that he was thinking of offering me a job in his firm. But I never followed it up because I didn’t think I could fill the post.’

If we look into this, we see that important events occur, directions followed, decisions taken, all because. The word ‘because’ in fact hides all our background, our feelings, our predisposing urges and thoughts. The word ‘disposition’ can in fact be used to sum up what lurks behind the because factor. A little thought will show that history is made up of this ‘disposition’, acting through the because factor.

I hope this doesn’t sound mysterious or complicated. This is such an important thing to understand. Our whole life, the events and outcome of it, rest upon it. Our life is what it is because of what we are – our disposition. We take an offer or reject it because of this. We succeed or fail in life because of the same factor – ourselves. ‘The fault, dear Brutus, lies not in the stars/But in ourselves, that we be underlings.’ When understood, we can see that every move we make in life is conditioned by subtle feelings of fear or pleasure, pride or love. At every decision we are directed by intangible hopes, despairs, conflicts and ideals. So, dreams also, arise out of the because factor.

Two dreams illustrate this. ‘I was waiting for a visitor. Suddenly the man I had been expecting came round to the back window and peeped in. I didn’t see him clearly, but took an immediate aversion to him and refused to let him in.’

Here we see that something ‘waited’ for by the dreamer, when it actually arrives, is not admitted due to feelings of aversion. It is not admitted because of aversion.

A clearer example is this. ‘I was surrounded by a thick wall of briars, beyond which were wild animals. I was trapped and couldn’t get out. I wondered what to do. Suddenly I noticed a hole in the ground. I looked in and saw it was a tunnel. I was just about to explore it as a way of escape, when I saw a dirty animal-like man looking up at me. I drew back from the tunnel in disgust and woke up’.

Here we see that the dreamer is trapped by his own tangle of problems, and destructive instinctive urges. A possible way out is shown in the tunnel of unconscious exploration (i.e. discovering one’s hidden contents), but the dreamer, on looking within, sees an undeveloped and repulsive part of himself which disgusts him. It is because of this disgust that he cannot get out through the tunnel. The whole dream revolves around that point. It is also because of this inability to explore further due to disgust, that the dream ends. The dream is showing that it is the feelings of disgust that are keeping him trapped in his unpromising situation. In real life, he is stuck in the middle of painful experiences because of his own feelings of disgust about a part of his nature. Thus, the because factor in dreams is very important, and is the central point in numerous dreams.

Dream Series

If we fail to understand an individual dream, light can often be thrown upon its meaning by looking at the dreams that precede and follow it. In this way one sees that the symbols are used in a gradually evolving manner. A dream series of evolving symbols is also one of the most striking proofs that dreams are not mere nonsense. The dreams that follow were all dreamt within about a month.

(1)   ‘Visit to M. Very nice house, high on the cliffs overlooking the sea. M. and others their usual welcoming selves. Met other pleasant friendly people, but we had to go down the hill to meet them and then some of them pointed out another way up the hill to another beautiful view, and came along to show us the way, which M. actually knew, but didn’t want to spoil their pleasure in showing me. A few of those in M.’s house were not quite as nice as I had believed from M.’s description, but I liked them anyway.

Here we start off with a house overlooking the sea – a state of looking over one’s hidden contents, one’s unconscious. Or we might – say the dreamer is ‘overlooking’ certain things about herself. These things she has overlooked begin to become known in the people, parts of herself, that were not quite as nice as she had believed.

(2)   ‘Met uncle George. Then he and I and a few relatives and friends went on to a small boat and began a journey. I didn’t know where we were going but others did, and it was such a new and pleasant experience for me that I didn’t bother to ask. As it grew dusk a strange but pleasant and friendly woman, who was obviously familiar with the boat, came and closed the curtains and put the light on, so that we could be comfortable during the night.’

Just previous to dream number one, the dreamer had begun, with the help of a friend who knew a little about interpretation, to analyse her own dreams. So we see that from ‘overlooking’ the sea she has quickly gone on a sea voyage. The dream sums up her situation wonderfully, ‘I didn’t know where we were going, but – others did.’ She didn’t at the time realise where the interpretations and dreams would lead her. Also, the sea is now much closer, and night is coming. That is, darkness and the unconscious are already making themselves felt, for the night sea journey is a classical dream of the exploration of one’s unconscious contents, as with Jonah and the whale. See archetype of the night sea journey

(3) ‘Found myself in a place where I could go swimming every morning.’

Already she is beginning to enter the water, or her inner life.

(4)   ‘Went into a church with someone who pointed out that I was facing the wrong way. I turned round and saw a bigger and lighter altar at the other end.’

Having begun to contact her inner life via swimming, immersing in it, she sees that her attitude to religion or her own

(5) ‘I was involved in a revolution. Everything around was collapsing, but I don’t remember being frightened.’

All her old ideas are being either revolutionised, or are collapsing.

(6) ‘I found myself being led in a particular direction by friendly pleasant people, who yet knew that on arrival I was to be executed. I had an immature woman of about twenty-five with me, and the same fate awaited her. I took her hand and tried to convey love and courage and to protect her from all her fears by behaving in a light-hearted manner.

As her old ideas collapse, her old self is to die. Also the immature twenty-five year-old part that still lives on in her is to die.

(7) ‘I found myself entering a tunnel where I encountered a rather frightening little animal, but we passed each other as he went out and I went in. Then I met a larger animal with the same results. Later I met a third, a real monster, rather like a 60ft caterpillar with a lion’s head and fore feet. I did not like the encounter as I continued to walk on the left side of the tunnel, into ever deepening darkness, and he passed me on the way out. Somehow I felt that Doctor (a friend and adviser) would not have been in the least afraid, and I borrowed his courage, and woke about half-way along this monster.’

Having been ready to die to her old way of life, she can begin the descent into her unconscious contents in earnest. The two frightening animals are two fears that came up and out. The third one is too big a fear to completely pass by at this time; and its shape shows its possible sexual nature.

Here, in just seven dreams, with very inadequate comments, can be seen how the symbols evolve as the dreamer discovers her real inner nature. The ‘overlooked’ sea becomes travelled upon. The coming darkness on the boat develops into the ‘deepening darkness’ of the tunnel; while each dream shows a development on the inward journey the dreamer was undertaking. Such a series need not be about the inward journey, however, but about commercial undertakings, health, ambitions, or even answers to intellectual queries.

These seven dreams were taken from about twice that many, dreamed during the period. The selection being based on how one can understand past dreams by seeing them in context with others occurring. The important point being that one might dream of looking at the sea for years, but never enter it. Then, with a change of ‘disposition’, a series of swimming and diving dreams take place. In interpreting our dreams in this way, we have to watch for similar symbols in changed conditions. The sea and darkness are obvious in the series. Also the crowd of people leading her, representative of her own desires to understand herself. The interpretation is arrived at by analysing the situations the dreamer finds herself in, and how the symbols change. Thus a seed seen in one dream, and a plant just growing in another suggest growth and development. A person scorned in one dream, and loved in another, would be a change of attitude and relationship.

These three methods, the Main Phase – the Because Factor, and the Series method, all help us to see the underlying meaning of the dream through looking at the dream as a whole. Particular symbols are not worked on in the same way as in the associated ideas method. It is the relationships the dream suggests that arouse questions. In turn, these questions themselves clarify the dream for us, and help us analyse our experience to see if the dream explains or explores it. As we advance in ability to deal with our dreams, these various methods are called upon and used as required. See – Techniques for Exploring your Dreams

The Archetype of the Hero-ine

Archetype of the hero/ine – The archetype of the hero/ine has fascinated, taught, even ennobled human beings for thousands of years. It appears as Hercules; Ulysses; Christ; Athena; Krishna; St. Theresa; Mohammed; Mary; Phyllis Wheatley; Boadicea; Superman; Florence Nightingale; a great game hunter; Joan of Arc; Anastasia from Brazil; or any Big Man in your dreams or films, or TV hero such as Captain Kirk or Dr Who.

We are the hero/ine of our own life. We brave great dangers, face monsters, pass through difficult initiations. Fundamental to the whole drama of the hero/ine is the evolution of our own identity from the depths of unconsciousness in the physical process of conception, through to developing self awareness as an adult. From the great ocean of collective culture, language and society we struggle toward the emergence of ourselves as a mature individual. To do this we face death and rebirth several times when we metamorphose from baby to child; from child to adolescent; from adolescent to adult; from adult with youthful body to ageing body. It is such an incredible journey, so heroic, so impossible of achievement, so fraught with dangers and triumphs. It is the greatest story in the world, and each of us live it. Perhaps some of us fall on the way, or get lost in the intricacies and challenges, dangers and pleasures of a certain part of the journey, as stories like the odyssey portray.

We find the story told over and over symbolically in all the ‘holy’ books as the birth of the divine child; the journey of the hero/ine through dangers and trials; the creation of the world – our personal awareness; the birth and life of Moses. All these stories pertain to the difficulties we face and means we use to BE. They are about the art of keeping balance amidst the multitude of forces acting on our human psyche and our body. The hero/ine is the one who dares even though they feel afraid and in pain, who makes the journey despite being encumbered by the chains and parasitic creatures of childhood trauma, of habitual and instinctive fears, of cultural ignorance.

In this journey, the avoidance of fear and pain in our society, where chemical anodynes or tranquillisers are sought to remove any tiny discomfort, is a great tragedy. Not that we need to become masochists, but we miss our own wholeness through fear of our own power to experience deeply, and be enriched by the immensity of our own genesis and history. In other cultures, the ability to meet pain and fear were considered spiritual strengths. They still are. The following example shows one person meeting the sort of fears and uncertainties, the despair and shadows we all face in our journey. It is typical of the journey undertaken by the hero/ine.

As I looked at my present situation, as I was wondering how to come to terms with being a second-class sort of person in a second-class life situation. I started thinking about all the potential and mental possibilities I have touched in the past. How could it be that I had come through so many things, grown beyond myself in so many ways, and yet at the moment I am locked in this apparent decay and decline? Has all the past been an illusion? Have I declined so much that all the power and wonder of my previous life is now lost to me?

Having asked this question I had an insight that I had got into a negative feedback loop. Because I had got stuck in this place, then I feared I was stuck in this place, which produced the certainty I was stuck, which produced the inability to move out. I was feeding back to myself images of failure and feelings of unattractiveness, and all the other negative feelings we all meet during the week. Instead of looking at them and seeing them as passing feelings, I was taking them as impressions of reality and drowning in them. I was accepting them as true and starting to live them. That then confirmed the negatives – and so it goes on.

I tried to find the way out of the loop. The only way out I could find was the realisation that the loop has no end. There is only one thing to do – stop it playing. Grab it and stop the crazy record. To help with this, to help grab the thing and kill it, I obviously would have to realise it as untrue. If I still believe the loop to be playing a truth, then I only strengthen the action. So for its cessation I need to realise that my sense of self is a constantly moving fragile thing that has no stable reality. I am not ANY ONE THING – so how can I be a failure, or a success, or great, or of no account, or any thought or feeling? No one thought or feeling can represent my reality. No feeling, or sense of myself, is anything more than a sense, a feeling, it is not ME. So how could this feeling represent some sort of permanent personal reality?

Although the struggle described above is subtle, it is nevertheless one that takes strength, resources and determination to meet and overcome. Those are the qualities necessary for the heroic experience of life. Those are the qualities we each have at out core, otherwise we would not exist today. As the sperm and ovum you were the great hero/ine of the enormous journey leading to birth. Millions died in the attempt, but you were the winner. You are the survivor of ten million generations of ancestors, struggling, developing new strategies, on the heroic journey from the earliest mammals to your life today.

Jung felt that the hero/ine myth dates to pre-history. To understand this, we must remember that ancient people thought in a much more pictorial way than perhaps we do today. Inner feelings such as fear and sexuality, drives which might push toward actions that were outside of the tribal taboos, were often depicted as spirits or demons. Even today many people use the image of the Devil to depict personal urges that are socially forbidden or repressed for one reason or another. In such ancient communities, everything was public because there were no massive prisons, or hospitals, or homes for the elderly to hide the unfortunate side of life. So primitive people intimately knew what madness and death looked like. They knew what disease did to the body. They could see what happened when a community turned against an individual and stoned, speared or strangled them.

Therefore, to witness an individual stand against a taboo, to walk calmly into death, to be unafraid in the midst of the demon of illness – such people left enormous impressions on those who witnessed it. It showed in the most graphic way that one could live without fear; one could meet death – perhaps even resurrect, either from a serious and incapacitating depression, or as would occasionally be seen, a person arise again from the apparent death of catalepsy or a near death experience. The people who were seen to emerge in those ways were hero/ines.

The hero/ine depicts our own powers of transformation, of courage, of problem solving and the ability to meet and pass through the tribulations of our life. We meet and emerge from self-doubt. We vanquish anger and lovelessness. We discover hope and motivation in the midst of despair and feelings of pointlessness. These monsters, or dragons, these demons that can rob us of the will to live; these dark creatures of our own mind that can literally lead to illness or suicide, the hero/ine meets and conquers. Underneath all these qualities another fact is demonstrated by the hero/ine, either in the external world or in dreams. It is that at the core of our being is an incredible potential that can be drawn upon. The hero-ine demonstrates this. But of course we may simple explain it away by saying the hero-ine was born different, or with greater strength or divinity. This is what Christianity does to the figure of Christ. It therefore takes away the responsibility that might otherwise cause us to wonder why we are not claiming our own potential. For at the core of each of us is the miracle of life itself; and at the core of life stands a sparkling ever shifting mystery.

One of the important factors of the hero/ine image is that although basically the hero/ine is shown to have had a humble birth, and be an ordinary person, they draw upon strengths and have guardian figures or teachers that others do not make use of. Joseph L. Henderson, writing on Ancient Myths and Modern Man in Man and His Symbols, points out that Perseus had Athena; Theseus had Poseidon. This, Henderson points out, represents the wholeness of oneself (ones potential) from which we can draw strength – the conscious personality that we identify as ourselves, expressing as it does only a tiny part of the totality of our possibilities and experience.

This tutelary figure is one of the ways the unconscious depicts the unbelievably rich and unimaginably immense cultural information we have absorbed, along with the innate potential arising from the process of life that carries us miraculously through conception and life in the womb.

There are very real hero/ines who daily enrich our life – Edison with the electric light bulb; Florence Nightingale with her concept of nursing. All of these figures stand over us and are part of our unconscious experience here in our daily life. Because our unconscious tends to portray a function – in this case the synthesis of immense information – as an image or character, the guardian or god figure well expresses the enormity of our unconscious knowledge. See: the sixth and seventh paragraphs under religion and dreams.

Part of the journey of the hero is to find the Golden Fleece, to escape from the belly of the whale, to face the sirens, to confront the Minotaur. All these are representative of real everyday situations that some or all of us are facing now. Particularly they depict the journey from identifying oneself as the ego and body, to finding the real core of who and what we are. This core lies at the deepest level of the unconscious. This is not because it is hidden or buried, but because it is so much a part of everything, so exposed, that only a form of inaction or letting go can reveal it. This is why the story of the pearl of great price is told of it. But between the conscious personality and the Core lie real creatures of fear and pain – our childhood traumas and fears; our cultural and social fears and ignorance; our personal, family and national prejudices, angers and karma. Each night in sleep we drop to our core. But likewise we all fall into the underworld of sleep like the Sleeping Beauty and meet these shadows we have not dared face – the dweller of the threshold. This is why so many people cannot sleep, and must drug themselves. Far better the stance of the daring hero-ine, who dares to face them and find the holy grail of deep peace and connection with their own timeless self. See: guardian of the threshold.

Jung makes a point of saying that if we identify in any way with the hero/ine archetype, we must be careful of the possibility of exaggerated pride – hubris – that sometimes comes with it. Such pride can lead to unrealistic self evaluation and the attempts to accomplish impossible dreams. He mentions a man who felt himself capable almost of flying, and who eventually fell from a mountain. Jung intimates that the man may have in fact stepped into space out of his hubris. The aim is to access your potential while still recognising your personal smallness in the scheme of things.

Lastly, the death of the hero/ine is often an important part of the theme the unconscious portrays in this symbol. One of the main features of the hero/ine is the way they lead us into greater self expression, fuller maturity. But once the maturity is reached, once the new is attained, then one needs to drop the means of achievement and live the new life. The journey to a new land may require attitudes and activities which when we get there are no longer needed. The farmers who travelled West in America needed to drop their nomadic life once they had arrived. See: Archetype of death; Archetype of rebirth; individuation.

Useful Questions and Hints:

Can I recognise that the life process in me is heroic in its constant facing of life’s challenges?

Can I as a person live some of this heroism in my daily life and relationships?

What are the life challenges, inwardly and outwardly, that I face? Can I define them and look at my strategy to deal with them?

Dare I explore a new way of being by using Arm Circling Meditation.

The Archetype of Death

The symbols of death or the fear of death can be sunset; evening; a crossed river or falling in a river; a skeleton; snarling dogs; sleep; anaesthetic; gravestones; cemetery; blackness or something black; an old man or woman, Santa Muerte, or father time with a scythe; ace of spades; a fallen mirror; stopped clock; a pulled tooth; an empty abyss; the chill wind; falling leaves; a withering plant; an empty house; a lightning struck tree; coffin; struggling breaths; the dead animal in the gutter; the rotting carcass; underground; the depths of the sea – the VOID.

What lies beyond death is conjecture for all of us except if we have had a near death experience. But the archetype of death we are considering is not completely about physical death. It is about our observation of it in others; our conceptions of it gained from our culture, and our impressions arising from seeing dead animals, rotting corpses; the feelings that generate around our experiences and thoughts of it; our attempts to deal with our own ageing and approach to death; social violence – PLUS – what the deeper strata of mind releases in symbols or emotions regarding it and in response to our observations of the external world. It is about how our sense of conscious personal existence meets the prospect of its disintegration. In meeting any image or experience of death, or any nightmarish image, if we can meet it without fear it transforms into an experience of Life and beauty. This is because the inner world is about waking you up and overcoming fears. See Near Death Experiences; Inner World

In every moment of our life we face the possibility of death. In fact we only live because we are constantly dying. Our body is all the time dying as thousands of cells die, and in doing so the new and living body can continue. If we allow ourselves to realised that it illustrates the meaning of the phoenix – it is consumed by the flames, and yet it arose anew. We have the fire of life within us that in consuming us gives birth to us continuously. It is the warmth of our body, the warmth, even passion, of our emotions and that is life – continuous through death.

Example: I knew I was dying and it was incredibly real. So real I wept deeply because I knew this was the end of everything and I would lose my children. All that I had created in life would be at an end too. But there was nothing I could do about that and I died. Then I seemed to be at a slight distance watching my dead body, and I saw my father, who had died some years before, come and carry the body over a threshold into a heavenly meadow. There a resurrection took place. My dead being was given new life. And the new life came from all that I had given to others, and all I had received from others, during my life. That was my spiritual life that survived death.

In this way my new being began, with my father near by. And my first awareness was of love in its many forms. The shy love of a child, tender love of a woman’s care, or the passionate love of jealousy, a baby’s devouring love, or the unexpressed love of one who simply sits and waits. A.C. See Death Was The Loss

Unless we can come to terms with what is behind the haunting images of death we meet in waking and in our dreams, we fail to live fully and daringly. This is because we are too troubled by death lurking in the shadows of injury and the unknown. We therefore avoid living in a way that would be risky. Images of death and the associated emotions, carried within for years, can have a negative influence on our health. Coming to terms with death means the courage to feel the emotions of fear or chill and discover them for what they are – emotions; a personal image we have built. They are certainly not death, only our feelings about it. The differences shown in the two following examples illustrate the avoiding and the meeting. The first can be called an experience of the ‘death pit’.

Example: I was disturbed by an unusually vivid dream last night – unable to sleep afterwards for almost two hours. In the dream I went out for the evening to see some friends. Golden beer spilled as one of my friends doubled up and the room sprang open with a Death’s Head shrieking behind him, as if a skin had been peeled back to reveal the bones of life crackling in a gigantic electric chair. It burned my brain. With a great effort I managed to wall up the apparition behind the bright fabric of the evening, leaving only a blurred after-image of the hole, like the torn edge of a strip of wallpaper that has been ripped and glued back into place.

It happened again. At first it was the result of a form of irritated curiosity, like picking at a scab, or scratching an itch irresistibly, in spite of the inevitable pain. This hurt far too much though. My whole frame shuddered, as if my bones were lines being ridden by a hundred express trains, or an electric current, a force field of limitless indifferent energy.

I sealed it up again, but the wound had been weakened by my curiosity, and burst open at the slightest agitation: as soon as I tried to lose myself in the happy group, my laughter triggered the catch, and I saw my friends faces twisted by laughter, with their own deaths crowing scornfully behind their backs, as if Death couldn’t wait to show He had the last laugh, pointing it out obscenely, obvious as a schoolboy’s joke. I was denied the temporary relief of friendship by the hideous mockery that was audible to me alone.

When I realised that I couldn’t control it, I was speechless and dizzy with fright and pain. I couldn’t stand properly, and vainly tried to stop falling against people and things like a drunk. Either my appearance of something I was unaware of saying had upset V., as I could see her crying, and from the snatches of conversation I caught, I realised that I had spoilt everyone’s evening. Eventually I was picked up and carried out by the bouncers, and left on the opposite side of the street. As I struggled, I became vaguely aware that I was dreaming, a fact which glimmered like a pinprick of light seen from the foot of a mine-shaft. I groped desperately towards it, even as I realised that the multifarious shapes of memory and imagination were materialising in the very street around me. I averted my gaze as a squat, malformed figure limped by, unwilling to acknowledge it as the progeny of my own brain. I clawed my way desperately in the shaft, as I felt visual imagination solidify into sound, and the threat of touch. Liquid splashed on the ground behind me, as if a bucket had been emptied from a half remembered opening in the building above.

With a desperate convulsion of mental energy, I deliberately tore my way out of the dream. I opened my eyes with relief, to see my room unchanged and still lit by the street lamp outside, opposite the school where the children would arrive in a few hours time. In spite of the heat of the June night, I was not even sweating, and felt surprisingly calm, apart from a raging suspicion about the means of my escape from my own imagination and its absurd but terrifying creations. A. J.

Second Example: ‘Suddenly I was in a huge underground cavern. It was hundreds of feet high and as wide. It had two great statues in it, both to do with death. The whole place overpowered me with a sense of decay and skeletal death, darkness, underground, earth, the end. I cried out in the dismal cave, ‘Death, where is your sting! Grave, where is your victory!’ I immediately had the sense of being a bodiless awareness. I knew this was what occurred at death. Fear and the sense of decay left me.’ Andrew.

Summarising these and many other dreams, it is not only the accumulated images of death, but also bodilessness, aloneness, loss of power and identity, which bring so much fear. There are antipodes of human experience. At the tip of one is focused, self determining self awareness. At the tip of the other is unfocused void without focussed identity. Strangely enough we experience both each day in some degree. The first while awake – the second when we sleep. Yet to face the second with consciousness feels like all the horrors of death and loss. But facing it is important, especially in the second half of life. Although the unconscious carries the dark images we have of death, it also provides what feels like certainty about an existence which transcends death to those who experience it. This is presented as an awareness of existing eternally as part of the very fabric of life. In one form or another this is what those who dare to confront the dark images of death find beyond them.

Something that stands out in A. J.’s dream of the death-head, if one is looking for it, is that he was actually the creator of it all. He says in describing the dream, ‘I averted my gaze as a squat, malformed figure limped by, unwilling to acknowledge it as the progeny of my own brain.’ The realisation of how we create our whole experience of life is, as he says, frightening and painful. It was not simply the ‘bad’ things he was creating, but also the good. The frightening thing about this realisation is partly that we do not want to admit responsibility. It is much easier to feel we are victims. We are victims, but of our own creativity. See Dreams Are Like a Computer Game.

One of the most powerful dreams in which the whole spectrum of death and eternity is met is in Priestley’s book Godshill. In it he gives a personal account of his transforming meeting with death. See: religion and dreams.

Here is another example with quite a different image of death. 

Example: I was alone in a house and asleep in bed. Something materialised or landed on the foot of the bed. It woke me a little and I felt afraid. I had the feeling it was some sort of entity materialising and coming for me in some way. It moved up the bed a little. I felt paralysed, partly by fear but also as if the ‘thing’ was influencing me. This made me more afraid of it. Then it moved up higher, not on my body but on the bed. I was very afraid and struggling against the paralysing influence. I managed to shout at it – I will destroy you. I will destroy you. As I shouted I pushed at it with my hand. This felt to me as if I were going to will its destruction and use my hand to smash it. I still felt a little uncertain of the outcome but I was very determined to fight it. At this point I woke up or was awakened by my wife. She asked me what I had been dreaming. Apparently I had been pushing her and shouting that I would destroy her. David P.

David explored his dream in depth and describes his insights as follows –

I started by considering the recent nightmare of the ‘thing’ at the foot of my bed. Gradually I began to feel tense throughout my body, with difficulty in breathing. The ‘thing’ seemed at first to be a woman’s vagina. There was a little feeling in this but not much. Then it slowly grew in intensity and I realised the ‘thing’ was death. Recently it is obvious from the mirror that my body is going through another period of rapid ageing. The dream was a dramatic representation of my feelings about this. Death was gradually creeping up on me, gradually overwhelming me and I was fighting it. As the session deepened I saw that in my feelings I felt that death had put its finger on me. The touch of death was like a disease though. Once touched the disease was incurable and gradually took over ones body. I could hardly breathe as I experienced this, and I understood the sort of emotions that might lie beneath asthma attacks. This struggle with death went on for some time. It was not terrible but was felt strongly. I also recognised that my wife Deb, has similar feelings about her ageing, and is communicating to me that her body is dying and unclean, especially her genitals, and this is off-putting. I see that when I shout I ‘I will destroy you!’ in a way it is my fear of being destroyed that is behind the emotion.

I began to wonder what to do about the situation. The feeling was that death was claiming me. So I wanted to face the truth about death, whatever it was. I wanted to walk right up to it and look it in the face and know whether death meant a final end. If it did I would rather know. As I approached death like this by imaging walking toward the THING, my feelings went through an amazing transformation. All the tension left me. I felt good, positive and with a sense of hope about life and death. I could breathe easily again. This was so surprising and sudden I wondered what had produced it. I needed to be aware of how this change had occurred. So I retraced my steps to look at death and try to understand why it had lost its power of fear.

At first I saw that my tension and sense of death being or giving a disease was due to a view I had of it. When we look at the world only through our senses, death is obviously a terminal sickness that claims everyone. Someone said on TV the other day – Life is a sexually transmitted disease that produces a 100% mortality. Seen in this way death is the rotting corpse, the skeleton. The path to it is disease or breakdown. But in looking it in the face I saw another view of it. I saw the dead body, the corpse, the skeleton, as a form left behind by the process of life, like shell left on a beach as life continues. When I looked at myself to see what ‘David’ is, I cannot separate myself from the process of life. That process leaves behind shells, bodies, tree trunks, but it goes on creating other forms.

If we observe the images and emotions of death in dreams, especially in a series of such dreams, the process of rebirth or transformation usually follows that of death. See: death; death and dreams; death – is there life afterwards?; archetype of rebirth or resurrection; Journeying Beyond Dreams and Death

Useful Questions and Hints:

What are my own inherited or self created images of death?

Have I met and dared to discover where such images and fears arise from, and what lies behind them?

Am I really living without paralysing fears? If not, is the fear of death involved in my paralysis?

It might help to use Acting on Your Dream

Archetype of Christ

Although people generally think of Christ as an historical figure, as a human experience he depicts powerful influences acting upon your personality. For a start, Christianity is a huge social and political force in the world. Many of us as children are educated to accept its beliefs or we meet its influence in one way or another. Therefore Christ in our dreams often depicts this enormous influence and how we relate to it – the influence can be many sided, from a recognition of the best in oneself to the hatred and anger about what organised Christianity has done to many.

Although people generally think of Christ as an historical figure, Christ is never that – even though pictures and paintings depict Christ as a human being. That is because we have been taught that Jesus and Christ are the same person. But it clearly says that when Jesus was baptised something immense happened to him. “Now when all the people were baptised, it came to pass, that Jesus also was baptised – of John in Jordan – and praying, the heaven was opened, and the Holy Ghost descended in a bodily shape like a dove upon him, and a voice came from heaven which said, ‘Thou art my beloved Son: in thee I am well pleased.’ (Luke 3:21-22).”

It tells us that the heavens opened and something from the cosmos entered Jesus and transformed him into having Christ Consciousness. For Christ was an aspect of Godness and had always existed. It is easier to see it rather like our growth. When we were babies we grew and entered another level of awareness and ability called childhood. Later another huge change entered us and we became adolescents – again with a different mental and emotional state.

Many people have attained the change of Christ consciousness. It is a further stage of human growth. As an example Siddartha became the Buddha when he experienced such a great change. In different languages this change has different names such as Krishna Consciousness. It might shock some people to see Christ linked with Buddha and Krishna – if so you have a lot of growing to do and if you do you too can enter Christ consciousness.

Like any of the world’s great religious figures, Christ can also be a very potent compensatory symbol. Each of us have feeling responses to events. Some events lead to a pleasurable response, others to a painful response. As children, and often as adults, we are largely at the mercy of events as to whether our life is experienced as painful or pleasurable. But there is also a way of creating our own response that a few of us use consciously. If we are lonely or depressed for instance, we may read a book, go out with a friend or watch a film, stimulating feelings that displace the loneliness or despair. This ability to produce positive or different feelings is often seen in the dream process. By holding in mind an image connected with hope and love, feelings will be produced that will compensate in some measure for pain or depression we may be feeling.

But Christ is used to compensate for what may be felt as crushing or defeating life circumstances or inner despair. Such compensation may also be used to deal with things missing from ones life, such as a sexual partner or social achievement.

However, being able to achieve Christ Consciousness, or Buddha Consciousness, or even Krishna Consciousness, is much more that a compensation, it is a transformation of ones life from one in which misery is often a part to one of which is symbolised in the New Testament as walking on water. If we take it out of its symbolism it tells us that our emotions that can be stormy and difficult to deal with can be dealt with and even tamed by the immense power we hold within us, which most of us have lost contact with. I am talking about a huge force that can be contacted or allowed into ones life. Without it we are often powerless to deal with negative feelings, and so many people take the path of suicide. But with it we can meet them easily, walking over the surface of such stormy emotions.

The fundamental power of Christ as an archetypal force lies in a that direction however. As an archetype Christ enters our life with powers of redemption, of transformation, as an aid to lead us out of awful life situations, and a type of love transcending the human limitations of jealousy and dependence.

It it is a universal consciousness which is a part of every person, whatever their beliefs. To become aware of it we must somehow have broken our heart and self so be aware of such a huge awareness. See Ages of Love.

Example: It is difficult to convey the immediacy of these experiences deep in the sleep state. Over and over I experienced fantasies, the drama, of being a sacrifice. As one who expressed the new ideas, the new consciousness, I was beaten and smashed to death because I was a threat to the old instinctive order. But the fragments of my strewn body, my flesh, were eaten by those who had killed me. And my flesh was like Seeds that grew within those who devoured, and became in them the new awareness they had sought to destroy. In another of the series I was a willing sacrifice. Through the stress and ritual of being willingly lead to death, I would receive the new consciousness and in some way bring it to my people.

I am going through masses of evolutionary feelings. The struggle to develop self-consciousness, and how the Messiah was first of all a fantasy, then an embodiment of this by individuals. Then how other people lived certain aspects of it, and were taken to be the Messiah, the Krishna, whatever. They did bring into the body another type of awareness, that mankind had been struggling toward for so long. This is where the mystery of the birth of Christ comes from. Why there is no real historical person. Why there is so much myth and legends surrounding such events. It is the embodiment of something mankind needed so much, to help them out of their crisis into the next revolutionary level.

Often overlooked in this influence is the power to look at oneself and life very clearly, very honestly, without hiding behind excuses or self deceptions. Perhaps more than anything else though, Christ is a cultural image depicting the power of our own highest possibilities. It is the outreach to us of collective human love.

Christ is not the only historical figure with these associations. Krishna and Shiva in the Indian culture, Mohammed in Islamic culture, Odin in the Viking age, and Quetzalcoatl/ Kukulkán/ Gukumatz in the South American culture have the same sort of power. Some aspects of the Buddha are approached for redemption and there are many saviour heroes from other cultures such as Anansi in Africa, Cúchulainn in Eire, Osiris in Egypt and Hercules in Greece. Apollonius of Tyana is also recorded as living a sacred life. But Christianity is simply a new expression of an ancient theme.

Mithra was born in a cave, and on the 25th December. He was born of a Virgin. He travelled far and wide as a teacher and illuminator of men. His great festivals were the winter solstice and the Spring equinox (Christmas and Easter). He had twelve companions or disciples (the twelve months). He was buried in a tomb, from which however he rose again; and his resurrection was celebrated yearly with great rejoicings. He was called Savior and Mediator, and sometimes figured as a Lamb; and sacramental feasts in remembrance of him were held by his followers.

Osiris was born on the 361st day of the year, say the 27th December. He too, like Mithra and Dionysus, was a great traveller. As King of Egypt he taught men civil arts, and “tamed them by music and gentleness, not by force of arms”; he was the discoverer of corn and wine. But he was betrayed by Typhon, the power of darkness, and slain and dismembered. “This happened,”says Plutarch, “on the 17th of the month Athyr, when the sun enters into the Scorpion” (the sign of the Zodiac which indicates the oncoming of Winter). His body was placed in a box, but afterwards, on the 19th, came again to life, and, as in the cults of Mithra, Dionysus, Adonis and others, so in the cult of Osiris, an image placed in a coffin was brought out before the worshippers and saluted with glad cries of “Osiris is risen.” “His sufferings, his death and his resurrection were enacted year by year in a great mystery-play at Abydos.” Quoted from Pagan and Christain Creeds by Edward Carpenter

“Such a myth, however, consists of symbols that have not been invented consciously. They have happened. It was not the man Jesus who created the myth of the god-man. It existed for many centuries before his birth. He himself was seized by this symbolic idea, which, as St. Mark tells us, lifted him out of the narrow life of the Nazarene carpenter.” Quoted from Man and His Symbols by Carl Jung

I know I hung on the wind-swept tree Nine nights through, Pierced by a spear, dedicated to Odin, I myself to myself.

There is, above all, the self-sacrifice of the hero-saviour: as Toynbee puts it in A Study of History,  ‘A very god who dies for different worlds under diverse names-for a Minoan World as Zagreus, for a Sumeric World as Tammuz, for a Hittite World as Attis, for a Scandinavian World as Balder, for a Syriac World as Adonis (“Our Lord”), for an Egyptian World as Osiris, for a Shi’i World as Husayn, for a Christian World as Christ.’

Depending upon the culture we were raised in, we will unconsciously put an image to the power of change and transformation that we experience. People in all ages, all cultures and all social circumstances have experienced what is often felt to be a divine influence touching them in some way.

I believe through observation that such long held and powerful traditional beliefs are based on something functional. The description of compensation above is an example of this. To be able to survive crushing life experience is a real achievement, not an imagined one, and is therefore functional. Using an image to evoke hope and motivation doesn’t make it less of an achievement. But the archetype links with patterns of love and strength actually lived by others. They are then patterns remaining in the collective experience of us and can be accessed. When we touch these powerful racial memories we may clothe them in the image of our cultural hero or saviour.

To be clear about this, the power that is found is a release of our own potential emerging from our core self. So in this sense the image of Christ is a graphic presentation of our own innate wonder. The patterns of love and strength mentioned above, and other behaviours lived by past individuals that remain in collective memory, offer keys or clues as to how to release this innate potential. That such keys, as well as ones innate potential, are often clothed in symbols and traditional imagery, is simply because we have not made such parts of our potential or heritage clearly conscious. They thus emerge from our unconscious clothed in whatever imagery or ideas we can accept or allow. See The Inner Path of Christ.

So what does the archetype of Christ the Redeemer and Good Shepherd mean in this sense?

To understand this we must first remember that our ego, the sense that we have of being a distinct person, is not one and the same thing as our body’s biological processes, or of our deep psychological processes. We all have some understanding of this because we can observe in ourselves or in others, that we – our personality – may want something that is very much against what our body wants. People with eating disorders for instance may actually die from malnutrition. People who have a fear of sex may constantly fight or repress their sexual urge. A person is often at odds with the natural processes and urges that underlie their conscious ego.

Norman MacKenzie explains this very well in his book . Dreams and Dreaming. Writing about the clinical use of LSD to help patients deal with various forms of neurosis, he says that the drug enabled a massive observation of how people’s mind worked, and how people related to their unconscious drives. When a patient first took LSD one of the commonest reactions was massive anxiety. This degree of anxiety usually arises only when we are threatened physically or mentally. The patient fears the drug is robbing them of control and will overwhelm them. In fact what is happening is that the repressive defences the person uses to keep their inner drives and processes under control are being relaxed. See The Two Powers Explained.

People relate to this threat in two major ways. They either fight to keep control, and employ all manner of techniques such as keeping their attention focused outwardly by such things as talking, walking about, drawing, holding their breath or dancing – or they surrender to what is being experienced. To meet the parts of ones nature that have previously been pushed into unconsciousness, one needs to surrender in some degree. If the person fights the loss of control as the new material from within is emerging, it sometimes feels as if they are disintegrating. Their body may feel as if it is changing or dying, and they are losing themselves.

Below are two descriptions from people who used LSD therapeutically that illustrates these different responses.

It didn’t happen at first, but gradually I began to feel that if I relaxed I would not be able to hold back my emotions, that I would do something that would be seen as crazy. So I sat holding onto myself, literally tensing my muscles to hold back whatever might happen to me. Time seemed to stretch and I felt as if I would never get out of this tension and difficulty. I just had to sit through it, live through it, and hope there would be an end. I also wanted to get away, but I was frightened I would get lost, like I was a child of four or five. Maybe that’s how I felt at that age, so I had to stop myself from doing what I wanted to do. A.K.

Here is someone else’s description of a similar situation.

Early in the session I started having fantasies about being attacked. Each time it happened I put the fantasy aside because I couldn’t see why I would be having these feelings that I was being attacked. There were a lot of images flowing into my mind also about the horror of life in general – babies abused, children murdered, men and women shot or tortured. The fantasies returned and several men attacked me and were trying to drag me off somewhere against my will. As the fantasy progressed, or replayed, I began to realise that it only appeared like an attack because I was resisting the process. In fact the men wanted to show me something that was important to me. They were being quite gentle, but because of my resistance, it felt to me like an aggressive act. I then let myself be carried off by the men, and began to feel as if a great chunk of my nature has been held back since childhood because of anxiety. In fact I had been frightened to ‘live’ this part of me. I had held so much of myself back throughout most of my life that I constantly felt there was something I was missing and had to search for. But it wasn’t an external thing – it was the me I had denied. B.M.

AK was using tensions and experiencing fears he had developed in childhood to hold back feelings that he had been taught were not acceptable. In BM’s experience he learned to move beyond such tensions and fears.

In observing such struggles in thousands of people, the doctors and clinicians working with them saw that no matter what the patient was experiencing, even if they felt completely overwhelmed for a while and were lost in their fears and emotions, something within them was learning from the experience and attempting to integrate not only the insights gained, but also the various parts of their nature that were in conflict or split. Mackenzie says, ‘No one knows what type of ‘thinking’ this may be. It appears to be different both from ‘reality thinking’ and ‘autistic thinking,’ from the patterns of conscious thought and the imagery of fantasy – a kind of bridge between two types of mental process.’

Jung observed something similar in the psyche. He called it the Transforming Principle, or the self-regulating action, which constantly attempts psychic growth. He stated that one can watch this at work by noting many dreams from the same individual over a period of time. When one does this ‘tendencies become visible, then vanish, then return again. …… one can observe a sort of hidden regulating or directing tendency at work, creating a slow, imperceptible process of psychic growth-the process of individuation.’

Most religions call it the power of God at work in ones life, and many of them teach that if one surrenders to it, one will be healed and made whole. Different people and cultures represent or depict this transforming power within them in their own way. It is often represented as Christ, but equally as well as something more abstract. However, whatever we wish to name it, there is in us a potential that has in it more than we presently know of ourselves, and it has the power to heal and transform. It is observable that healing or therapy proceeds by a series of problem-solving move­ments. As soon as one difficulty is reviewed and removed, another appears, waiting in line to take its place.

In BM’s experience he learned to move beyond such tensions and fears. But also he says something that is at the heart of what this archetype brings. He says, “It wasn’t an external thing – It was the ‘me’ I had denied.”

That is the heart of the Christ archetype. It holds in it the you that may have been crushed, denied, traumatised, repressed, in some way held back from emerging as a reality in your life. It is the potential you hold within you that has not been allowed to flower. It is the very best of what you are, not some distant possibility that you have to get from outside yourself. See: life’s little secrets; compensation theory; self-regulation dreams and fantasy;.

Here is another personal description. This time not from an LSD session, but from a man allowing the transforming action to take place while fully awake and without drugs. This makes clear what it is like to confront the power of transformation within.

In the previous week I had met a feeling I could not account for, which had left me wondering what was happening. I had the very strong impression that I had killed a man and now had the guilt of blood on my hands. This time in the group, when I surrendered, something I could never have suspected happened. I was standing with my eyes closed, but it seemed I could see, because the spontaneous mental imagery was so clear, that I was standing under a clear night sky, with the stars brilliant above. But there was a star more brilliant than the others that fell to Earth, and I knew it was something wonderful and special so hurried to see what it was. Others had also seen it, simple rural people like myself. What we found was a baby. But the wonder of it was so much I fell on my knees and couldn’t stop myself crying out again and again – A baby! A baby!

The tears and the cries were because I had the clear feeling or knowledge, a direct knowing, that all of the heavens, all of life’s mystery, had come to life in this baby. And to actually know this, to feel the impact of it, was almost more than I could bear. But part of the amazement was that this was every baby born. It wasn’t just one special baby. It was my own birth too! All the mystery of life was born in me. I sobbed with the pain and wonder of it.

Then the scene changed and I was standing by a dirt road. There were lots of people lining the road waiting. I didn’t know what for. Then excitement rose as a man came walking along the road toward us. He looked very ordinary to me. But as he got near he looked right at me and a huge feeling of love swept through me. I knew this man loved me in a way I had never been loved before. Then he walked directly to me and took hold of my hands and said, ‘You are my disciple’.

I stumbled backwards away from him. The love was too much, too painful. Looking into his eyes I knew I had been born with all that love, but I had killed it in myself. The blood on my hands was because I had murdered Him/myself. I had crushed the flower of my sexuality through fear. I had denied my own wonder and value in the world, looking to others for guidance. I had killed Christ in me – Christ who was the splendour of my own life and love if I dared to live it – my own birthright. But he had touched my hands, and I went to each of the people in the group and put my hands on them, trying to rub some of that magic onto them. Thomas.

As can be seen from Thomas’s description, the image of Christ holds in it not only the power of self-revelation for him, but also the relationship of teacher to disciple, and transforming love for one in need of wholeness. Thomas cannot help but think of Christ as separate from himself, even though at the same time he realises with deep emotion, that he is gazing at and being touched by his own wholeness, his own potential. See: compensation theory; the fundamental process.

This paradox needs to be remembered not only when meeting the Redeemer archetype, but almost any archetype. Also implicit in this meeting is the possibility that because confronting ones own wholeness and seeing ones own guilt, or the smallness of oneself, can lead to great personal transformation, it may lead the present personality, as it is at the moment, to dying and being left behind. Thus the meeting with Christ may include a personal experience of death and resurrection.

So the experience of meeting Christ may be a representation of the denied force of joyous life within – denied out of attempting to live social or religious rules and regulations, or social pressure to conform. Therefore, because ultimately we are an integral part of the universe, and have no existence outside of it, when we meet Christ/our wholeness and potential, we also become aware in some degree of the hugeness we are a part of or an expression of. We meet a sense of eternity, an awareness of the symbiotic – or cooperative processes or forces – operative in human life and the cosmos.

The Sunday School or Church Christ

This is another aspect of the Christ archetype and depicts social norms, the generally accepted morals and social rules. This ‘Christ’ comes about because the church tends to represent traditional values and national history, and attempts to press people to live these values. The dreamer may have a child-like relationship with this Christ, or if attempting to be self responsible, be in conflict with it. Some people find this Christ has a castrating role in their life, and flee in horror. In fact this aspect of social indoctrination may lead to such a burden of guilt and suppression that it can create psychic cripples. Trying to do all the ‘right’ things may lead us to the point where ‘we can’t say no to a glass of water without a pang of guilt.’

Two of the great forces that push at the human soul or psyche are, firstly, social pressure, such as the moral norm; and secondly, biological pressures such as the sex drive. Individuals may fight a lifelong battle with one or the other of these. The social criminal typifies battle with social authority pressures and rules; the ascetic and the bulimic battle with biological drives.

These two forces can be seen in the symbols of Christ and Mary Magdalene. The battle of these two immense forces is not really won until there is the marriage or unity between the two. The following dream and its exploration illustrate this dynamically.

I was in the basement of the house where I lived in London. I had taken some floorboards up because they were rotten. Underneath I saw a large white serpent or worm, somehow connected with a dead evil woman like a force of destruction and evil. I seemed to understand the evil could corrupt all of London, that it lived in a great underground lake that existed under all of London. I poked at the serpent with a piece of wood and it came to life and plunged into the earth. There seemed to be an air filled hole that I poked into and the wood I was using was wrenched away from my hands.

My family thought I was crazy because I was trying to tell them about this and sent for a doctor. I was very pleased to see him because he was very unbiased though, not believing – nor disbelieving. I explained my experience and feelings. With him there I dared to poke at the floor with a long scaffold pole. The pole was ripped from my grasp by some force below. Then we tied the pole to a beam and it ripped part of the beam off. I felt there was enough power to tear down my house if I had used it as an anchor. Then I saw Christ standing on my right, and the terrifying woman on my left, and they came together and the evil was neutralised – but so was the power of Christ. Mathew

Mathew saw the Christ figure as the moral norm in the society he was raised; a morality he had struggled with all his life. The woman he experienced as the urges such as his sexual needs, with which he had also struggled. When Christ and the woman merged he felt enormous peace.

The positive aspect of ‘Sunday School Christ’ is that prior to maturing enough to take realistic self and social responsibility, people need guidelines for behaviour. They often yearn for security or certainty. Religion in the form of powerful positive declarations of ‘truth’, supply this need for many people. For such people, making personal decisions in the face of the ever shifting external situations is enormously stressful. So organised and dogmatic religion is of great strength to them.

The Ideal Christ

This is yet another facet of this archetype, and is the psychological process which causes us not to take responsibility for our own highest ideals; our own yearnings for the good; our own most powerful urges arising against what we see as evils in the world. This influences us to wait for a sign from Christ or God in our dream or waking life in order to gain authority, or to overcome the anxiety associated with the urges. We want God to say we should act in a certain way because we are not willing to be self responsible. We deny in ourselves the core self and its divinity.

Example: ‘I stood outside a castle. It was closed and guarded by soldiers in armour. Wondering how to get in I thought that if I dressed and acted as a soldier I would be allowed entrance. It worked and inside Christ met me and said he had important work for me to do.’ Sonia.

The closely guarded secret is Sonia’s own impulses to do some sort of socially creative work. She doesn’t want to own them as her own. It is much easier if she can say ‘Christ told me to do this.’ In this way she avoids direct encounter with opposition and has a feeling that she has greater authority than her own. Joan of Arc might well be seen in this light.

The Healing Christ

The Christ archetype has powerful healing influence for many people.

Example: ‘A fierce battle was raging with bullets flying. I immediately fell down and ‘played dead’. It wasn’t that I was hurt in any way, but I didn’t want to be at any risk in the fight. As I lay there I saw a tall well built man in soldiers uniform walk to me. He gave no sign of any fear concerning the bullets, and quietly knelt beside me. I felt he was Christ, but was confused by him being a soldier. He placed a hand on my back and gradually worked his fingers under the shell of a large limpet type creature that I had never before known was parasitically attached to my back. I could feel him pull it away, but knew its tentacles still ran right into my chest. It seemed and alien had entered me. He then sat me up and told me how I could rid myself of the tentacles and so be healed.’ Peter Y.

Peter, whose dream this was, had a debilitating psychosomatic illness at the time of the dream, causing pain where the tentacles ran. The shell is his defences against feeling his own hurts and inner conflicts. The dream shows him contacting a strength which is not afraid of his internal battlefield or conflicts, and can show ways of healing real human problems. The healing rests upon the dreamer’s conscious action, not Christ’s, suggesting the dreamer taking responsibility for his own situation. Peter realised he had been avoiding his own internal battles, but felt he had found a strength – in the Big Man – which would support his efforts to find healing. In fact he met his conflicts and grew beyond his ailments.

Peter’s conflicts were between his love for his children and his love for another woman. The Christ he met was his own undammed life, the flood of loving sexuality, the strength to burst through social rules and regulations because love or life pushes. When we find it in ourselves we don’t give a hang about bullets, death, right or wrong, because we have a sense of our own integral existence within life, and our own rightness and place in eternity.

The Integral or Cosmic Christ

Each of us have, perhaps deep in their unconscious, a sense of connectedness with the whole, with the cosmos. Perhaps it is best to call this our own wholeness, which incorporates all the light and darkness in us, all the expressed and the potential. We may be little aware of this. We may be denying it sceptically as Lester is in the example below.

Example: ‘I am a journalist reporting on the return of Christ. He is expected on a paddle steamer going upstream on a large river. I am very sceptical and watch disciples and followers gather on the rear deck. The guru arrives, dressed in simple white robes. He has long, beautiful auburn hair and beard, and a gentle wise face. He begins to tap a simple rhythm on a tabla or Indian drum. It develops into complex intermingling of orchestral rhythms as everyone joins in. I now realise he is Christ, and feel overwhelmed with awe as I try to play my part in the music. I’m tapping with a pen and find myself fumbling. A bottle or can opener comes to me from the direction of Christ. I try to beat a complementary rhythm, a small part of a greater, universal music.’ Lester S.

Finding this inner connection with things can enrich all that we do in life, even if it is a very humble thing like Lester’s can opener. The awareness of connectedness and wholeness brings with it a realisation of taking part in the unimaginably grand drama of life. It gives a feeling, no matter what the state of our body, crippled or healthy, that we have something that makes any faults insignificant. It doesn’t take all the difficulties out of life, but it is a wonderful companion on the way. We come to know that at base we are a wonderful shining being, and that life and its circumstances and events, are a way in which we are learning to let that internal wonder shine out.

Another way of looking at this is by seeing Christ as a process. Christ might then be seen as a collective identity arising in the consciousness of humanity. This relates to us as individuals much as our identity relates to the cells of our body. Just as our identity survives the death of billions of cells in our lifetime, so the Christ consciousness survives our death and change, integrates our experience, transcends our function, and has a personal relationship with us.

Example: We are each living that mystery play – that mysterious drama of which the Christian myth is a summary.  Each in our own way play out that drama we call life.  Each of us give birth to or abort the divine in us.  Each of us chooses whether we are going to wash our hands of meeting that splendid call of our own being, or whether we will crucify it on our own political, monetary, or power hungry demands.  Each of us makes the decision of whether we will denounce our relationship with the love that is in our own heart.

We don’t have to be a saint to live that Mystery.  We are living it now!  We live every tiny part of the story.  For some of us, one tiny part of that grand story becomes a central theme for us — motherhood, the loss of the lover, the departed parents, the betrayal, the struggle with the forces of evil, or that grand search for the beloved.

What part of the story are you experiencing?  Is it the raising of the dead?  The healing of personal blindness?  Feeding the hunger of the multitude?  Working in the garden of life? Being a shepherd?

In dreams and religion Christ is also represented as the son of the Cosmos or God. This aspect of Christ possibly comes about because of a sense many people have that the origin of their personal life is from beyond the Earth. This powerful urge to see oneself as more than a physical body is symbolised by Christ, a being who transcends physical boundaries. Perhaps this is why the film ET is so moving for many.

Human beings of all ages have, when opening to the influence of their larger perceptions during meditation, trance, prayer, or drug use, experienced awareness of love existing behind the creation of things, a love that is the source of the big-bang itself, a love that willingly died that we might exist. Humanity became aware of this at a particular stage of the development of self-awareness. The arrival at this stage of self-awareness was expressed in what we know as the historical Jesus. The internal awareness of the love that gave us being was projected outwardly and became the Christian Myth.

As one man who encountered Christ said, “Christ is like the sun, a principle of nature. No one can own it, although different individuals or groups can relate to it or use it in various ways, as happens with electricity. The Roman Catholic Church cornered the market so to speak. Prior to the Council of Nicaea there was a free market. You could say the church fenced off a beach and started charging people to go to it on Sundays. And there are different names for this natural principle in different languages.”

See: meetings with Christ; religion and dreams; Archetype of the self.

Useful Questions and Hints:

What aspects of the Christ archetype, if any, am I influenced by?

Am I repulsed or held by the influence of the ‘live by these rules’ pressure?

Am I helped by the belief there is a divine loving presence?

Do I feel the power of an inner wonder and potential I am allowing into my life?

In recognising my relationship with Christ, can I evolve it to something more satisfying?

Try Talking with a Dream Character.

Archetype of the Alchemist

The archetype of the alchemist is similar to that of the magician, wizard or even scientist. As with any archetype the alchemist depicts processes or forces within you, and with the alchemist it is about transformation. A negative aspect of this is the sense of superiority that possesses some people, leading them to a conviction they are in control of the forces of nature and can manifest magical powers or perform miracles at will. Sometimes, to achieve a result, the person operating under this archetype will use trickery, lies and threats or pressure, as with those who subtly pressurise others to do their bidding.

The positive influence of this archetype is in the release of a patient and persevering attempt to investigate and understand the unconscious processes of life and thereby, through meeting ones own inner and external processes, to arrive at transformation.

Useful Questions and Hints:

If I have met this archetype in my dreams, what have I learned from it about transformation?
Do I deal with some relationships by feeling superior to others?
Do I feel I have magic powers that other’s do not possess?

Try using Talking As to define dream character.