Mandala
If one could produce a graphic image of the whole of human nature, many different forms might be integrated within an overall shape, such as a circle or square. Also, if it were possible to have a visual presentation of a person’s inner world of mind, weaknesses, strengths, order, confusion, and quality, each person would appear differently. Some would be internally jumbled, divided and ugly; others symmetrical, integrated and beautiful.
Because the unconscious produces dreams, and because dreams are imagery that give form to the otherwise abstract elements of internal human nature, there arise in some dreams shapes or patterns which depict an overall view of ones own inner condition. Carl Jung drew attention to the circle and square designs in some dreams, calling them mandalas – which is a Sanskrit word meaning circle, and referring to religious symbols – and seeing them as representing the nucleus of the human identity. Although we are, in our everyday life, the magical and mysterious process of life, it is difficult for us to actually answer the question ‘Who am I?’ or ‘What am I?’ with any lasting conviction. See Life
The mysterious essence of ourselves is met in dreams as a circular or square object or design; as the sun, a flower, a square garden with a round pond in the middle, or a circle with a square or quartered design within it, a circle with cross within, a revolving or flying cross shaped object. Classical symbols from all nations use this theme, and we can find it in the Round Table of king Arthur, in the centre of which the Holy Grail appeared; the healing sand paintings of the Navaho Indians; the zodiac; circle dances; stone circles; the Buddhist wheel of birth and death; and so on.
The circle usually symbolises a natural wholeness, our inner life as nature has shaped it. The square shows wholeness we have helped shape by conscious co-operation with our inner world or the healing power of the Self. There are two main reasons why one produces this theme in ones dreams. It occurs in children or people meeting internal or external shocks, and produces a strengthening of the vulnerable identity in meeting the varied influences they face. It arises in people who are meeting and integrating the wider life of their being existing beyond the boundaries of their usual interests, or what they allow themselves to experience. The contact with the Self is then part of an extending of awareness into what was dark or unknown, not only in ones own unconscious, but in external life. In touching the nucleus of ones being in this way, one becomes aware in some measure of the infinite potential of ones life. There is often an accompanying sense of existence in eternity and the many different ‘mansions’ or dimensions of experience one has within the eternal.
Jung says of it “The mandala serves a conservative purpose-namely, to restore a previously existing order. But it also serves the creative purpose of giving expression and form to something that does not yet exist, something new and unique. The second aspect is perhaps even more important than the first, but does not contradict it. For, in most cases, what restores the old order simultaneously involves some element of new creation. In the new order the older pattern returns on a higher level. The process is that of the ascending spiral, which grows upward while simultaneously returning again and again to the same point.
Example: The first waking dream was looking at the green wall and seeing the huge moving mandala. At the centre of it was emptiness. Out of this nothingness poured forms of living creatures, all moving and dancing out from the centre in time with each other – though making different movements. These emerging, dancing forms went out to a periphery – the edge of the circle – then they danced back to the centre and merged back into the nothingness yet at the same time new beings were born from it.
See: The archetypes of the self and search for self; yoga and dreams; archetype of the mandala.